Joel Kim Booster

and come into that theater and spend the night watching your act is such a, you know, even when, if, if I'll sell 900 seats and it's a bigger place and you're like, Oh, well, no, this is 900 people.

It's crazy.

But it sounds like you, you still really love the creating of it.

Don't you have that when you're, uh, when you're just in town and you just go off and do a spot and it's like, if you haven't done a spot, like in a couple of days or whatever, and you're, you're just knocking around your place and you're thinking about what role you're going to have next, or you're calling your manager back or any of all of the show busy Mishigas.

And then you go and you

the minute you walk off stage from doing that spot at 10 o'clock, wherever, the whole world is right.

Yep.

All that stuff is such ancillary BS.

And you're just, this is, you just, you get back in that car and you're right.

You're literally physically and mentally correct.

How was the set?

It was fine.

It was fine.

How can people keep track of your tour and stuff?

I swear, I just came from there.

And I wasn't selling.

It was work.

But then in the end, they showed up.

It's the fucking economy.

Yeah, but they're going to come out of that show with their faces sore and their bellies.