Joelle Monique

I did find the time period a little confusing.

We talked a little bit about it off mic.

Well, the costumes are screaming like World War One and it's clearly the 30s.

There's so much they're like, oh, you can't quite tell if the depression has just hit or are we facing like the tail end of it?

And also, I just really don't appreciate things that are too clean in cinema.

And I feel like if we're in the middle of a depression, everybody needs to be much more scraggly.

It needs to be much harder times.

We get a lot of mentions of, oh, we have no money, but then no competition.

consequences of not having the money somehow it's always magically there when we need it which i find as a formerly extremely poor person very difficult to follow i'm like what's not how people with zero funds operate i think that level of realism would have helped us you know because when you look at like the canon noir you don't get a lot of like mysticism or science fiction and

It's just not part of the genre.

And so I think when you're going to blend them, you've got to really nail down your noir elements so that those other elements can shine.

I also think, to your point, Daisy, too many characters.

I feel like I've just been harping on this a lot lately.

There's so many people...

We have to follow that.

You don't feel like you get time to connect with anyone.

Kat has a really interesting side love piece, which I won't spoil for folks who are excited to watch, which I thought was really interesting.

I thought their chemistry, probably the best romantically in the series.

Why don't I have six more scenes with them?

much more time with these people.