John Powers

Where is it?

Where is it?

Where is it?

That's right. Walk over to this painting.

That's right. Walk over to this painting.

That's right. Walk over to this painting.

At the top of the painting. All right, get over here. Now remember this. When the horizon's at the bottom, it's interesting. When the horizon's at the top, it's interesting. When the horizon's in the middle, it's boring as shit. Now, good luck to you, and get the f*** out of my office.

At the top of the painting. All right, get over here. Now remember this. When the horizon's at the bottom, it's interesting. When the horizon's at the top, it's interesting. When the horizon's in the middle, it's boring as shit. Now, good luck to you, and get the f*** out of my office.

At the top of the painting. All right, get over here. Now remember this. When the horizon's at the bottom, it's interesting. When the horizon's at the top, it's interesting. When the horizon's in the middle, it's boring as shit. Now, good luck to you, and get the f*** out of my office.

Ever since silent film audiences swooned for Rudolph Valentino and the vamp Theda Berra, the movies have packed a sexual charge. but filmmakers have always had trouble dealing with sex head-on. While there have been scads of hot love scenes, movies addressing sexual desire nearly always feel bogus, exploitative, moralistic, or unintentionally funny.

Ever since silent film audiences swooned for Rudolph Valentino and the vamp Theda Berra, the movies have packed a sexual charge. but filmmakers have always had trouble dealing with sex head-on. While there have been scads of hot love scenes, movies addressing sexual desire nearly always feel bogus, exploitative, moralistic, or unintentionally funny.

Ever since silent film audiences swooned for Rudolph Valentino and the vamp Theda Berra, the movies have packed a sexual charge. but filmmakers have always had trouble dealing with sex head-on. While there have been scads of hot love scenes, movies addressing sexual desire nearly always feel bogus, exploitative, moralistic, or unintentionally funny.

Even Stanley Kubrick foundered in Making Eyes Wide Shut, a dreamlike movie in which Tom Cruise was a husband haunted and roused by the possible infidelity of his wife, played by Nicole Kidman. We enter a similar dreamland in Baby Girl, a new film by Dutch filmmaker Helena Rijn that boasts a thrillingly haywire performance by Kidman, who's our bravest, most wrist-kicking actress.

Even Stanley Kubrick foundered in Making Eyes Wide Shut, a dreamlike movie in which Tom Cruise was a husband haunted and roused by the possible infidelity of his wife, played by Nicole Kidman. We enter a similar dreamland in Baby Girl, a new film by Dutch filmmaker Helena Rijn that boasts a thrillingly haywire performance by Kidman, who's our bravest, most wrist-kicking actress.

Even Stanley Kubrick foundered in Making Eyes Wide Shut, a dreamlike movie in which Tom Cruise was a husband haunted and roused by the possible infidelity of his wife, played by Nicole Kidman. We enter a similar dreamland in Baby Girl, a new film by Dutch filmmaker Helena Rijn that boasts a thrillingly haywire performance by Kidman, who's our bravest, most wrist-kicking actress.

Set during a seemingly eternal Christmas season, Baby Girl begins with a classic cliché, the high-powered career woman who secretly yearns for sexual submission to a man. and transforms it into a strange fantasy of empowerment. Kidman stars as Romy Mathis, the CEO of a high-tech shipping company in New York.

Set during a seemingly eternal Christmas season, Baby Girl begins with a classic cliché, the high-powered career woman who secretly yearns for sexual submission to a man. and transforms it into a strange fantasy of empowerment. Kidman stars as Romy Mathis, the CEO of a high-tech shipping company in New York.

Set during a seemingly eternal Christmas season, Baby Girl begins with a classic cliché, the high-powered career woman who secretly yearns for sexual submission to a man. and transforms it into a strange fantasy of empowerment. Kidman stars as Romy Mathis, the CEO of a high-tech shipping company in New York.

She's got a country house, two cool daughters, and a husband, Jacob, who's so attractive he's played by Antonio Banderas. But, and it's a decisive but, their sex life has never worked for Romy. Nineteen years into her marriage, she fakes extravagant orgasms, then sneaks away to satisfy herself while watching dodgy domination porn.

She's got a country house, two cool daughters, and a husband, Jacob, who's so attractive he's played by Antonio Banderas. But, and it's a decisive but, their sex life has never worked for Romy. Nineteen years into her marriage, she fakes extravagant orgasms, then sneaks away to satisfy herself while watching dodgy domination porn.