John Williams

Which is what he did. Yeah, which is crazy. And I really believe that there's a kind of a, this is not a rabbi praising himself, there's something operatic about that last 10 minutes. Yeah. That I think without that... give and take breathing of the whole orchestra and the way they wanted to and the way the bow is finished here but not here.

Which is what he did. Yeah, which is crazy. And I really believe that there's a kind of a, this is not a rabbi praising himself, there's something operatic about that last 10 minutes. Yeah. That I think without that... give and take breathing of the whole orchestra and the way they wanted to and the way the bow is finished here but not here.

Which is what he did. Yeah, which is crazy. And I really believe that there's a kind of a, this is not a rabbi praising himself, there's something operatic about that last 10 minutes. Yeah. That I think without that... give and take breathing of the whole orchestra and the way they wanted to and the way the bow is finished here but not here.

This kind of kinetic, if you like, is more satisfactory, seems to be more satisfactory than a take that is slavishly in sync.

This kind of kinetic, if you like, is more satisfactory, seems to be more satisfactory than a take that is slavishly in sync.

This kind of kinetic, if you like, is more satisfactory, seems to be more satisfactory than a take that is slavishly in sync.

Yes. Every film.

Yes. Every film.

Yes. Every film.

I could say it glibly. But to reduce it a little bit, I would say The Close Encounters, I had that kind of feeling about it. something about that grammar. I think it was 1977. And I had done first Star Wars and Close Encounters the same year. And it was, talk about a head turn thing. You know, I had really struggled to get out of Star Wars and into Close Encounters.

I could say it glibly. But to reduce it a little bit, I would say The Close Encounters, I had that kind of feeling about it. something about that grammar. I think it was 1977. And I had done first Star Wars and Close Encounters the same year. And it was, talk about a head turn thing. You know, I had really struggled to get out of Star Wars and into Close Encounters.

I could say it glibly. But to reduce it a little bit, I would say The Close Encounters, I had that kind of feeling about it. something about that grammar. I think it was 1977. And I had done first Star Wars and Close Encounters the same year. And it was, talk about a head turn thing. You know, I had really struggled to get out of Star Wars and into Close Encounters.

Talk about spiritual aspects of, I mean, the whole end of that film took us to a place a high place, and the orchestra had to, it almost has a religious quality to it.

Talk about spiritual aspects of, I mean, the whole end of that film took us to a place a high place, and the orchestra had to, it almost has a religious quality to it.

Talk about spiritual aspects of, I mean, the whole end of that film took us to a place a high place, and the orchestra had to, it almost has a religious quality to it.

And where Star Wars is all fun and fanfares and action and comedy and all the rest of that, but this was a more serious thought about our circumstance in the universe. where we are and where we may be going.

And where Star Wars is all fun and fanfares and action and comedy and all the rest of that, but this was a more serious thought about our circumstance in the universe. where we are and where we may be going.

And where Star Wars is all fun and fanfares and action and comedy and all the rest of that, but this was a more serious thought about our circumstance in the universe. where we are and where we may be going.

Me too.

Me too.