John Williams

And whether it's contemporary electronic music or classical romantic music, we recognize the need of it. Actors will be sometimes very unhappy when you play too much music for them.

You mean the resources in Schindler's List, more chamber music, it was a smaller... Right, yeah.

You mean the resources in Schindler's List, more chamber music, it was a smaller... Right, yeah.

You mean the resources in Schindler's List, more chamber music, it was a smaller... Right, yeah.

Right. Some of the most breathtaking and horrible things was just his violin. I agree, yeah. Whether it was a conscious decision to make it a more intimate chamber music kind of thing was something we must have made either unconsciously or through dialogue.

Right. Some of the most breathtaking and horrible things was just his violin. I agree, yeah. Whether it was a conscious decision to make it a more intimate chamber music kind of thing was something we must have made either unconsciously or through dialogue.

Right. Some of the most breathtaking and horrible things was just his violin. I agree, yeah. Whether it was a conscious decision to make it a more intimate chamber music kind of thing was something we must have made either unconsciously or through dialogue.

I don't think it would have worked quite well. Right, right. So we stay with this up, a much better idea.

I don't think it would have worked quite well. Right, right. So we stay with this up, a much better idea.

I don't think it would have worked quite well. Right, right. So we stay with this up, a much better idea.

I love it. I like doing it. Yes, it is fun. I also like not doing it. Meaning I can play the score for the audience in the Theatre Earth Bowl without the film, without the distractions.

I love it. I like doing it. Yes, it is fun. I also like not doing it. Meaning I can play the score for the audience in the Theatre Earth Bowl without the film, without the distractions.

I love it. I like doing it. Yes, it is fun. I also like not doing it. Meaning I can play the score for the audience in the Theatre Earth Bowl without the film, without the distractions.

of the film and i can describe to the to the audience they're about to hear the kind of virtuosity they're going to hear in action scenes and so on where the music is extremely difficult to play it's a virtuoso level which when you watch the film you you can't appreciate it there's just too much right yeah so i i can take it very happily both ways with film or without it

of the film and i can describe to the to the audience they're about to hear the kind of virtuosity they're going to hear in action scenes and so on where the music is extremely difficult to play it's a virtuoso level which when you watch the film you you can't appreciate it there's just too much right yeah so i i can take it very happily both ways with film or without it

of the film and i can describe to the to the audience they're about to hear the kind of virtuosity they're going to hear in action scenes and so on where the music is extremely difficult to play it's a virtuoso level which when you watch the film you you can't appreciate it there's just too much right yeah so i i can take it very happily both ways with film or without it

Sean, you knocked me out. It's a little fast.

Sean, you knocked me out. It's a little fast.

Sean, you knocked me out. It's a little fast.

Well, you remember the last 15 minutes had started with the bike chase. That's right. The police chasing the kids. Right. The kids trying to get E-Team back to the spaceship. And they accelerate to escape velocity, which I understand is 17,500 miles an hour. Right. And we buy that. And the kids fly over the moon. I got that detail from NASA, by the way.