Jomi Adeniran

You want immortality.

You can't let go.

And to me, it mirrors Daredevil in the same way where like Matt's looking at Fisk and being like, to save New York, this place that we both supposedly love, we need to let go.

Like a lot of what we keep talking about in politics and younger generation is like, what does it mean for like the baby boomer generation to,

To be like, we've had enough, enough wealth, enough power.

We need to pass it on.

And I was just like, it's funny seeing both of these shows that have aging actors, aging showrunners, aging superheroes litigating what does it mean to really save New York, the world, and just like ourselves, America.

Was that supposed to be like white supremacy coded where I took that as, you could take it two ways.

Sister Sage had a blind spot because she could not calculate that Soulja Boy's love for Stormfront.

She wasn't calculating that in her decision.

But the other thing I don't think that she was calculating was that for Soulja Boy, someone who was in love with Stormfront, of course he would see his son and be like,

even if I don't necessarily believe you are a God, I believe that you are the future of humanity, the apex of where we need to go, which I thought was like very, even though I think all the backdoor pilot shit for Soulja Boy is starting to piss me off,

still that central relationship between Homelander and Soldier Boy I find fascinating.

I think the show is good, but I think the show is, I think the show sometimes is so great.

I just wish we could luxury or like luxury in those moments and not constantly have like, did I need like an older, like, did I need an old man soup with stretchy powers fighting butcher with his balls?

No, that that's a moment where I'm like, I was wet.

And that's away from actually really interesting parts of the show.

I'm like, oh, right.

You guys are getting at stuff in the final season, but you can't get it out of its own way.

It gets in its own way.