Jon Bernthal

Thanks, man. That is really. Talk about being anointed. Oh boy. You know, I knew Matt from Ford Ferrari, but I just think that what they're doing together with this company is so beyond beautiful and what we need. And I think in a way it's going to save this whole thing. They're artists first guys, but Ben is brilliant. Yeah. Intimidatingly so. Yeah, he really is such an incredible filmmaker.

Thanks, man. That is really. Talk about being anointed. Oh boy. You know, I knew Matt from Ford Ferrari, but I just think that what they're doing together with this company is so beyond beautiful and what we need. And I think in a way it's going to save this whole thing. They're artists first guys, but Ben is brilliant. Yeah. Intimidatingly so. Yeah, he really is such an incredible filmmaker.

And what I loved is on this film, he's the studio head and he's the lead actor, but he's not the director.

And what I loved is on this film, he's the studio head and he's the lead actor, but he's not the director.

And what I loved is on this film, he's the studio head and he's the lead actor, but he's not the director.

And it's such an interesting thing to sort of navigate, especially in that role. Through personal things in his life, he's really got a deeper connection to the role. And you can see it and you can feel it. I think he's brilliant in the movie. And we really had this awesome thing together.

And it's such an interesting thing to sort of navigate, especially in that role. Through personal things in his life, he's really got a deeper connection to the role. And you can see it and you can feel it. I think he's brilliant in the movie. And we really had this awesome thing together.

And it's such an interesting thing to sort of navigate, especially in that role. Through personal things in his life, he's really got a deeper connection to the role. And you can see it and you can feel it. I think he's brilliant in the movie. And we really had this awesome thing together.

That's a cool storyline. Really cool. And I think it's really personal to everybody who made it, which is the most important. Bill Dubuque, who wrote it, created Ozark. He's wonderful.

That's a cool storyline. Really cool. And I think it's really personal to everybody who made it, which is the most important. Bill Dubuque, who wrote it, created Ozark. He's wonderful.

That's a cool storyline. Really cool. And I think it's really personal to everybody who made it, which is the most important. Bill Dubuque, who wrote it, created Ozark. He's wonderful.

It does come from a really personal place. And I think that he writes family. And when you think about Gavin in the movies that he makes and sort of uncovering father issues and brother issues and masculinity, and these guys are all sort of like deep dive type guys.

It does come from a really personal place. And I think that he writes family. And when you think about Gavin in the movies that he makes and sort of uncovering father issues and brother issues and masculinity, and these guys are all sort of like deep dive type guys.

It does come from a really personal place. And I think that he writes family. And when you think about Gavin in the movies that he makes and sort of uncovering father issues and brother issues and masculinity, and these guys are all sort of like deep dive type guys.

Because of the first film, you do get sort of a sense through these flashbacks of how these boys were raised in this really, really unique, violent way by their father. I wanted... Brax, the character that I played, he had to be equally... I didn't want it like one guy's got the affliction and the other guy's got it figured out. It's like, no. He is every bit... Here's one side of the coin.

Because of the first film, you do get sort of a sense through these flashbacks of how these boys were raised in this really, really unique, violent way by their father. I wanted... Brax, the character that I played, he had to be equally... I didn't want it like one guy's got the affliction and the other guy's got it figured out. It's like, no. He is every bit... Here's one side of the coin.

Because of the first film, you do get sort of a sense through these flashbacks of how these boys were raised in this really, really unique, violent way by their father. I wanted... Brax, the character that I played, he had to be equally... I didn't want it like one guy's got the affliction and the other guy's got it figured out. It's like, no. He is every bit... Here's one side of the coin.

That's it. They're equally dependent on each other. They're equally in awe of each other. They're equally fucking frustrated with each other. I find with everybody, I don't know if you guys think this with the relationships in your life that are the most important, but I'm constantly...

That's it. They're equally dependent on each other. They're equally in awe of each other. They're equally fucking frustrated with each other. I find with everybody, I don't know if you guys think this with the relationships in your life that are the most important, but I'm constantly...

That's it. They're equally dependent on each other. They're equally in awe of each other. They're equally fucking frustrated with each other. I find with everybody, I don't know if you guys think this with the relationships in your life that are the most important, but I'm constantly...