Jon Bon Jovi

Moonlight and Valentino was a girly movie I did. Moonlight and Valentino, yes. Yeah, Gwyneth and Whoopi and Kathleen Turner and Liz Perkins.

Moonlight and Valentino was a girly movie I did. Moonlight and Valentino, yes. Yeah, Gwyneth and Whoopi and Kathleen Turner and Liz Perkins.

Moonlight and Valentino was a girly movie I did. Moonlight and Valentino, yes. Yeah, Gwyneth and Whoopi and Kathleen Turner and Liz Perkins.

Oh, yeah. So I say, I'll never forget it. The director was a guy named David Onspot who had done Hoosiers and Rudy. And so he was a guy's guy writing those kind of movies. He's got four ladies as his stars. I'm the cute, you know, house painter. We're doing take two, take three, take four. After the girls are giving him like one take a piece and walking off the set.

Oh, yeah. So I say, I'll never forget it. The director was a guy named David Onspot who had done Hoosiers and Rudy. And so he was a guy's guy writing those kind of movies. He's got four ladies as his stars. I'm the cute, you know, house painter. We're doing take two, take three, take four. After the girls are giving him like one take a piece and walking off the set.

Oh, yeah. So I say, I'll never forget it. The director was a guy named David Onspot who had done Hoosiers and Rudy. And so he was a guy's guy writing those kind of movies. He's got four ladies as his stars. I'm the cute, you know, house painter. We're doing take two, take three, take four. After the girls are giving him like one take a piece and walking off the set.

And he's going, take two, take three. And I walked over to him. I said, David, I'm sorry. We have to do so many takes. I'll pay for the film. This is how we make movies. I'll pay for the film.

And he's going, take two, take three. And I walked over to him. I said, David, I'm sorry. We have to do so many takes. I'll pay for the film. This is how we make movies. I'll pay for the film.

And he's going, take two, take three. And I walked over to him. I said, David, I'm sorry. We have to do so many takes. I'll pay for the film. This is how we make movies. I'll pay for the film.

Was that inspirational for you? No, because they'd all, by definition... weren't successful. You may look back and think that those movies were cool, but we were, as musicians, told you do either or. Bowie and Madonna and whatever were, no, there's musicians that want to act. They're not allowed to freely do both the way Sinatra could.

Was that inspirational for you? No, because they'd all, by definition... weren't successful. You may look back and think that those movies were cool, but we were, as musicians, told you do either or. Bowie and Madonna and whatever were, no, there's musicians that want to act. They're not allowed to freely do both the way Sinatra could.

Was that inspirational for you? No, because they'd all, by definition... weren't successful. You may look back and think that those movies were cool, but we were, as musicians, told you do either or. Bowie and Madonna and whatever were, no, there's musicians that want to act. They're not allowed to freely do both the way Sinatra could.

It wasn't based on success. It was based on opportunity. So that the opportunities just kept going down and down and down. And then suddenly you're making like an indie to an indie. And I'm sitting on the curb outside of CAA like with a tear in my eye. So what have I done?

It wasn't based on success. It was based on opportunity. So that the opportunities just kept going down and down and down. And then suddenly you're making like an indie to an indie. And I'm sitting on the curb outside of CAA like with a tear in my eye. So what have I done?

It wasn't based on success. It was based on opportunity. So that the opportunities just kept going down and down and down. And then suddenly you're making like an indie to an indie. And I'm sitting on the curb outside of CAA like with a tear in my eye. So what have I done?

What was that kind of... I think there are commonalities, but again, I think the biggest thing to me was that finding something else in the arts that gave me an opportunity to grow. It wasn't like I went from singing to building cars. One has nothing at all to do with the other. This is another way to emote. This is another way to tell a story.

What was that kind of... I think there are commonalities, but again, I think the biggest thing to me was that finding something else in the arts that gave me an opportunity to grow. It wasn't like I went from singing to building cars. One has nothing at all to do with the other. This is another way to emote. This is another way to tell a story.

What was that kind of... I think there are commonalities, but again, I think the biggest thing to me was that finding something else in the arts that gave me an opportunity to grow. It wasn't like I went from singing to building cars. One has nothing at all to do with the other. This is another way to emote. This is another way to tell a story.

This is more information for me to write about because all I had to write about between 21 and 30 was life on the road, to be honest with you. I was nowhere near as seasoned a man as...

This is more information for me to write about because all I had to write about between 21 and 30 was life on the road, to be honest with you. I was nowhere near as seasoned a man as...