Jonathan Mitchell

And after the break, we'll hear Hunter and Dustin talk about how the songs were made.

That's after the break.

And one of my favorite things about making the truth is getting to collaborate with folks like Hunter Nelson.

You know, people who can take a strange premise and find something deeply human inside it.

And if you'd like to support this kind of work and hear every episode completely ad-free and have access to all of our older interviews like this one, you can join us at thetruthpodcast.supportingcast.fm.

Your support directly helps us pay writers and actors and continue making new stories.

thetruthpodcast.supportingcast.fm And now here's Hunter Nelson in conversation with songwriter Dustin Lillman.

Our next episode is called Midnight Screening.

It's about a daughter sorting through decades of homemade VHS tapes left by her late father, who owned a Brooklyn repertory movie theater.

Midnight Screening is coming next week.

And as always, if you'd like to listen to our show ad-free, go to thetruthpodcast.supportingcast.fm.

I'm Jonathan Mitchell, and you have been hearing

The Truth.

No, I know.

That's wild.

Yes, I'm here.

A fringe group of Afrikaners went to Capitol Hill to advocate for white farmers in South Africa. They didn't bargain for what would happen next.

A fringe group of Afrikaners went to Capitol Hill to advocate for white farmers in South Africa. They didn't bargain for what would happen next.

A fringe group of Afrikaners went to Capitol Hill to advocate for white farmers in South Africa. They didn't bargain for what would happen next.

Don't miss this week's On the Media from WNYC.