Josh Mankiewicz

So great to see you.

So great to see you.

Before I joined a CPO last month, I was a MobileCoin advisor and investor.

Before I joined a CPO last month, I was a MobileCoin advisor and investor.

It is just one of the latest high-profile crimes. It's increased safety concerns around the San Francisco area.

It is just one of the latest high-profile crimes. It's increased safety concerns around the San Francisco area.

I'll record myself, too. I got myself.

I'll record myself, too. I got myself.

Hi, everybody. I'm Josh Mankiewicz, and we're talking Dateline today with Keith. Hi, Keith. Oh, hello, Josh. So this episode is called The Devil Wore White, and it's the kind of story that we almost never do at Dateline because it's less about the relationship between killer and victim and almost entirely about the relationship between killer and other killer.

Hi, everybody. I'm Josh Mankiewicz, and we're talking Dateline today with Keith. Hi, Keith. Oh, hello, Josh. So this episode is called The Devil Wore White, and it's the kind of story that we almost never do at Dateline because it's less about the relationship between killer and victim and almost entirely about the relationship between killer and other killer.

Now, this is the story of a criminal mastermind, someone you might have heard of. Her name is Sante Kahn. She became famous back in the 90s when investigators who were looking for a missing millionaire uncovered a very, very creepy, dark history of crimes and her surprising partner in those crimes and those murders, her youngest son, Kenny. Right.

Now, this is the story of a criminal mastermind, someone you might have heard of. Her name is Sante Kahn. She became famous back in the 90s when investigators who were looking for a missing millionaire uncovered a very, very creepy, dark history of crimes and her surprising partner in those crimes and those murders, her youngest son, Kenny. Right.

Now, if you have not listened to this broadcast yet, it is the episode right below this one in the list of podcasts that you chose from. So you can go there. You can listen to it. You can watch it on Peacock. And then when you come back, Keith has an extra clip that he wants to play for more of his interview back in 2001.

Now, if you have not listened to this broadcast yet, it is the episode right below this one in the list of podcasts that you chose from. So you can go there. You can listen to it. You can watch it on Peacock. And then when you come back, Keith has an extra clip that he wants to play for more of his interview back in 2001.

with kent walker who was you know sort of the heart and soul of this show in a lot of ways and later we're going to be joined by one of my favorite people and that is dateline producer ann priceman who worked on this broadcast and she will also help answer some of the questions that you may have from social media so stick around for that or stay tuned as we often said in 1961 keith you remember saying stay tuned i remember saying that

with kent walker who was you know sort of the heart and soul of this show in a lot of ways and later we're going to be joined by one of my favorite people and that is dateline producer ann priceman who worked on this broadcast and she will also help answer some of the questions that you may have from social media so stick around for that or stay tuned as we often said in 1961 keith you remember saying stay tuned i remember saying that

Yeah. There's no tuner anymore. That's the problem. So let's talk Dateline. So as I said in the intro, this is the kind of story we don't usually do here at Dateline. That is absolutely correct. This is less about killer and victim and more about killer and killer. And it's a crazy, crazy story.

Yeah. There's no tuner anymore. That's the problem. So let's talk Dateline. So as I said in the intro, this is the kind of story we don't usually do here at Dateline. That is absolutely correct. This is less about killer and victim and more about killer and killer. And it's a crazy, crazy story.

It's the kind of story that makes people want to get into journalism. I mean, it's a long, endless, twisting yarn that touches on all different localities, different people, different crimes. I mean, like Sante, her big talent clearly is that she doesn't come off as being as dangerous and as homicidal as she actually was.

It's the kind of story that makes people want to get into journalism. I mean, it's a long, endless, twisting yarn that touches on all different localities, different people, different crimes. I mean, like Sante, her big talent clearly is that she doesn't come off as being as dangerous and as homicidal as she actually was.