Josh Yager

Of course. John Metters and John Conrad actually happened to be the same team that worked on the Murdoch case, the very high-profile South Carolina case. And what you say is right. Almost every answer to every question we asked included a compliment for the lawyer on the other side. And the same from Bud Ackerman's lawyer traveling in the opposite direction.

Of course. John Metters and John Conrad actually happened to be the same team that worked on the Murdoch case, the very high-profile South Carolina case. And what you say is right. Almost every answer to every question we asked included a compliment for the lawyer on the other side. And the same from Bud Ackerman's lawyer traveling in the opposite direction.

Of course. John Metters and John Conrad actually happened to be the same team that worked on the Murdoch case, the very high-profile South Carolina case. And what you say is right. Almost every answer to every question we asked included a compliment for the lawyer on the other side. And the same from Bud Ackerman's lawyer traveling in the opposite direction.

I think all you have to do to understand that is, is to realize that they've probably worked as opposing counsel in cases two or three times since we covered this story. I mean, they're in court against each other every day.

I think all you have to do to understand that is, is to realize that they've probably worked as opposing counsel in cases two or three times since we covered this story. I mean, they're in court against each other every day.

I think all you have to do to understand that is, is to realize that they've probably worked as opposing counsel in cases two or three times since we covered this story. I mean, they're in court against each other every day.

this is a complicated issue for a producer. As a producer, you know, you worry about logistics and plans. You want to make sure that everything is planned out within reason. And sometimes it gets further off track than others. We plan this elaborate shoot out at the scene of the collision. And when you're shooting in a sort of quasi-remote area late at night, there are lots of considerations.

this is a complicated issue for a producer. As a producer, you know, you worry about logistics and plans. You want to make sure that everything is planned out within reason. And sometimes it gets further off track than others. We plan this elaborate shoot out at the scene of the collision. And when you're shooting in a sort of quasi-remote area late at night, there are lots of considerations.

this is a complicated issue for a producer. As a producer, you know, you worry about logistics and plans. You want to make sure that everything is planned out within reason. And sometimes it gets further off track than others. We plan this elaborate shoot out at the scene of the collision. And when you're shooting in a sort of quasi-remote area late at night, there are lots of considerations.

It's completely dark, except for a street light and headlights from a car. So you've got to make arrangements to light the whole area and light exactly what it is you want to feature. You've got to position things as accurately as you can. Who are you going to be interviewing and what are they likely to say? And we had a limited amount of time there. And

It's completely dark, except for a street light and headlights from a car. So you've got to make arrangements to light the whole area and light exactly what it is you want to feature. You've got to position things as accurately as you can. Who are you going to be interviewing and what are they likely to say? And we had a limited amount of time there. And

It's completely dark, except for a street light and headlights from a car. So you've got to make arrangements to light the whole area and light exactly what it is you want to feature. You've got to position things as accurately as you can. Who are you going to be interviewing and what are they likely to say? And we had a limited amount of time there. And

We started interviewing one of the police officers and he sort of turned to us and said, you know, I'm really not the right person to be asking about this. Such and such an individual would be a lot better. Let me just give him a call on my cell phone and we'll see if he wants to come over. So he picks up his phone and calls this individual and the person agreed.

We started interviewing one of the police officers and he sort of turned to us and said, you know, I'm really not the right person to be asking about this. Such and such an individual would be a lot better. Let me just give him a call on my cell phone and we'll see if he wants to come over. So he picks up his phone and calls this individual and the person agreed.

We started interviewing one of the police officers and he sort of turned to us and said, you know, I'm really not the right person to be asking about this. Such and such an individual would be a lot better. Let me just give him a call on my cell phone and we'll see if he wants to come over. So he picks up his phone and calls this individual and the person agreed.

And all of a sudden we had someone brand new to interview we hadn't planned on, we hadn't made time for. And it turned out to be a very important interview.

And all of a sudden we had someone brand new to interview we hadn't planned on, we hadn't made time for. And it turned out to be a very important interview.

And all of a sudden we had someone brand new to interview we hadn't planned on, we hadn't made time for. And it turned out to be a very important interview.

He doesn't do what he does for the publicity or for the cameras. He's a low profile guy who's extremely detail oriented.

He doesn't do what he does for the publicity or for the cameras. He's a low profile guy who's extremely detail oriented.