Julian Lennon

I mean, you want to talk about anxiety and crapping yourself? Excuse me.

I mean, you want to talk about anxiety and crapping yourself? Excuse me.

I arrive at the hotel where she and all the maids of honors are. I'm sitting in the lobby and I've got a backpack and one camera. And I've tried to dress myself up a little bit. I don't know what's going to happen. I had to go through several layers of security, roadblocks and all this to get there, which was nerve-wracking to say the least anyway. And then...

I arrive at the hotel where she and all the maids of honors are. I'm sitting in the lobby and I've got a backpack and one camera. And I've tried to dress myself up a little bit. I don't know what's going to happen. I had to go through several layers of security, roadblocks and all this to get there, which was nerve-wracking to say the least anyway. And then...

I arrive at the hotel where she and all the maids of honors are. I'm sitting in the lobby and I've got a backpack and one camera. And I've tried to dress myself up a little bit. I don't know what's going to happen. I had to go through several layers of security, roadblocks and all this to get there, which was nerve-wracking to say the least anyway. And then...

The likes of Patrick de Marchelier, you know, one of the best photographers in the world, walks in with, you know, the suitcase trolleys, you know, those ones at the hotel, the big ones on wheels with all his equipment on. Three or four trolleys and there's – I've got a backpack, you know. Yeah. Anyway, I go upstairs. I'm placed in front of her in a room probably about similar to this size.

The likes of Patrick de Marchelier, you know, one of the best photographers in the world, walks in with, you know, the suitcase trolleys, you know, those ones at the hotel, the big ones on wheels with all his equipment on. Three or four trolleys and there's – I've got a backpack, you know. Yeah. Anyway, I go upstairs. I'm placed in front of her in a room probably about similar to this size.

The likes of Patrick de Marchelier, you know, one of the best photographers in the world, walks in with, you know, the suitcase trolleys, you know, those ones at the hotel, the big ones on wheels with all his equipment on. Three or four trolleys and there's – I've got a backpack, you know. Yeah. Anyway, I go upstairs. I'm placed in front of her in a room probably about similar to this size.

And she's sitting there completely blanked out in front of the mirror with the hairdresser, the hairdresser's assistant and their assistant, the makeup artist, the makeup artist's assistant. Is that you? Yeah, that's me. Yeah.

And she's sitting there completely blanked out in front of the mirror with the hairdresser, the hairdresser's assistant and their assistant, the makeup artist, the makeup artist's assistant. Is that you? Yeah, that's me. Yeah.

And she's sitting there completely blanked out in front of the mirror with the hairdresser, the hairdresser's assistant and their assistant, the makeup artist, the makeup artist's assistant. Is that you? Yeah, that's me. Yeah.

Yeah. So I'm in the book a few times. That'll be a questionnaire at one point. That'll be a quiz at one point. How many times am I in the book? I don't even know myself, to be honest. But so I sit next to her and you've got all these people, 20 people in a room this size doing things, trying to get her ready 10 minutes before she's getting married. And they put me on this little poof next to her.

Yeah. So I'm in the book a few times. That'll be a questionnaire at one point. That'll be a quiz at one point. How many times am I in the book? I don't even know myself, to be honest. But so I sit next to her and you've got all these people, 20 people in a room this size doing things, trying to get her ready 10 minutes before she's getting married. And they put me on this little poof next to her.

Yeah. So I'm in the book a few times. That'll be a questionnaire at one point. That'll be a quiz at one point. How many times am I in the book? I don't even know myself, to be honest. But so I sit next to her and you've got all these people, 20 people in a room this size doing things, trying to get her ready 10 minutes before she's getting married. And they put me on this little poof next to her.

I'm sitting next to her and she's and I'm saying, Are you okay? Should I just take pictures? She said, Jules, I'm not sure what to do. I don't know what to do. I'm going, what do you mean? You don't know what to do about... the marriage or me taking pictures. She said, no, no, Jules, it's the photos. I said, listen, this is historic.

I'm sitting next to her and she's and I'm saying, Are you okay? Should I just take pictures? She said, Jules, I'm not sure what to do. I don't know what to do. I'm going, what do you mean? You don't know what to do about... the marriage or me taking pictures. She said, no, no, Jules, it's the photos. I said, listen, this is historic.

I'm sitting next to her and she's and I'm saying, Are you okay? Should I just take pictures? She said, Jules, I'm not sure what to do. I don't know what to do. I'm going, what do you mean? You don't know what to do about... the marriage or me taking pictures. She said, no, no, Jules, it's the photos. I said, listen, this is historic.

This is a once in a lifetime opportunity to record what's going to happen to you. And exciting for me, too, to be a part of that as a photographer. And so I said, listen, I'll keep out the way. I'm a fly on the wall. You know, I won't be anywhere. And I was thinking, how am I going to do this? How do I do this? And so I just start. I just let people get on and I'm taking pictures.

This is a once in a lifetime opportunity to record what's going to happen to you. And exciting for me, too, to be a part of that as a photographer. And so I said, listen, I'll keep out the way. I'm a fly on the wall. You know, I won't be anywhere. And I was thinking, how am I going to do this? How do I do this? And so I just start. I just let people get on and I'm taking pictures.

This is a once in a lifetime opportunity to record what's going to happen to you. And exciting for me, too, to be a part of that as a photographer. And so I said, listen, I'll keep out the way. I'm a fly on the wall. You know, I won't be anywhere. And I was thinking, how am I going to do this? How do I do this? And so I just start. I just let people get on and I'm taking pictures.