Julianne Moore

So everything that he does is drawn from his life. You know, he would bring jewelry to the set that you say, you know, if anybody wants to wear this pin, you put that on today and be like, OK, you know, but all of it. That's his that's his language. That's his imagination. You are you're in it. And I think he also has seen everything in his head.

So everything that he does is drawn from his life. You know, he would bring jewelry to the set that you say, you know, if anybody wants to wear this pin, you put that on today and be like, OK, you know, but all of it. That's his that's his language. That's his imagination. You are you're in it. And I think he also has seen everything in his head.

So everything that he does is drawn from his life. You know, he would bring jewelry to the set that you say, you know, if anybody wants to wear this pin, you put that on today and be like, OK, you know, but all of it. That's his that's his language. That's his imagination. You are you're in it. And I think he also has seen everything in his head.

And and so you're always thinking, OK, how do I fulfill this vision that he has of this of this film? Yeah.

And and so you're always thinking, OK, how do I fulfill this vision that he has of this of this film? Yeah.

And and so you're always thinking, OK, how do I fulfill this vision that he has of this of this film? Yeah.

My colleague John Law wrote a profile of you in The New Yorker in 2015, and there's a quote in it from Wallace Shawn, who is in that Uncle Vanya production with you. He said, she comes from a military background. She takes a military approach to her very unusual job. her orders are to turn into a complete maniac on Tuesday at 3 o'clock in the afternoon, and so she guiltlessly does that.

My colleague John Law wrote a profile of you in The New Yorker in 2015, and there's a quote in it from Wallace Shawn, who is in that Uncle Vanya production with you. He said, she comes from a military background. She takes a military approach to her very unusual job. her orders are to turn into a complete maniac on Tuesday at 3 o'clock in the afternoon, and so she guiltlessly does that.

My colleague John Law wrote a profile of you in The New Yorker in 2015, and there's a quote in it from Wallace Shawn, who is in that Uncle Vanya production with you. He said, she comes from a military background. She takes a military approach to her very unusual job. her orders are to turn into a complete maniac on Tuesday at 3 o'clock in the afternoon, and so she guiltlessly does that.

Is that right? Is that how the military brat life rubbed off on you in a way? No.

Is that right? Is that how the military brat life rubbed off on you in a way? No.

Is that right? Is that how the military brat life rubbed off on you in a way? No.

No. You know, my father was the person who was in the Army, and he was a paratrooper and a helicopter pilot, a really smart, wonderful person who's very liberal and not, you know, rigorous about behavior or anything like that. I think I like... I love to learn. I like to read. I like to ask people about what's going on. You know, I like all of those things, but I do. Yes.

No. You know, my father was the person who was in the Army, and he was a paratrooper and a helicopter pilot, a really smart, wonderful person who's very liberal and not, you know, rigorous about behavior or anything like that. I think I like... I love to learn. I like to read. I like to ask people about what's going on. You know, I like all of those things, but I do. Yes.

No. You know, my father was the person who was in the Army, and he was a paratrooper and a helicopter pilot, a really smart, wonderful person who's very liberal and not, you know, rigorous about behavior or anything like that. I think I like... I love to learn. I like to read. I like to ask people about what's going on. You know, I like all of those things, but I do. Yes.

I love structure because I think that I can do all that kind of stuff. And then when the camera's rolling, I'm free. You know, I'm free to, and it's safe. One of the things that makes me, always rubs me the wrong way is when somebody calls an actor brave. We're not brave. We're having a great time. We're, you know, we are pretending. And that's wonderful.

I love structure because I think that I can do all that kind of stuff. And then when the camera's rolling, I'm free. You know, I'm free to, and it's safe. One of the things that makes me, always rubs me the wrong way is when somebody calls an actor brave. We're not brave. We're having a great time. We're, you know, we are pretending. And that's wonderful.

I love structure because I think that I can do all that kind of stuff. And then when the camera's rolling, I'm free. You know, I'm free to, and it's safe. One of the things that makes me, always rubs me the wrong way is when somebody calls an actor brave. We're not brave. We're having a great time. We're, you know, we are pretending. And that's wonderful.

So you've created all these circumstances to be free and to have that moment to think like, what would that feel like? How can I make myself feel that? How can I engage in that? And the minute you say cut, you're like, oh, I did that. It's like a little bit like back with Bob Altman. He made you feel safe. He gave you a container so that you can explore this. And I think the instinct...

So you've created all these circumstances to be free and to have that moment to think like, what would that feel like? How can I make myself feel that? How can I engage in that? And the minute you say cut, you're like, oh, I did that. It's like a little bit like back with Bob Altman. He made you feel safe. He gave you a container so that you can explore this. And I think the instinct...