Justin Chang

The Brutalist is no less beautifully shot than Nickel Boys, but it's told in a more straightforward, classically sweeping fashion. Adrian Brody, in his best performance since he won an Oscar for The Pianist, stars as Laszlo Toth, a Holocaust survivor who arrives in New York in 1947.

The Brutalist is no less beautifully shot than Nickel Boys, but it's told in a more straightforward, classically sweeping fashion. Adrian Brody, in his best performance since he won an Oscar for The Pianist, stars as Laszlo Toth, a Holocaust survivor who arrives in New York in 1947.

Back in his native Hungary, before the war, Laszlo was an architect, famed for designing austere, unadorned buildings. In the U.S., he winds up in Pennsylvania. He's a nobody, shoveling coal and struggling with a heroin addiction. But then Laszlo finds an unlikely benefactor in Harrison Lee Van Buren, a self-made titan of industry who lives in Doylestown, just north of Philadelphia.

Back in his native Hungary, before the war, Laszlo was an architect, famed for designing austere, unadorned buildings. In the U.S., he winds up in Pennsylvania. He's a nobody, shoveling coal and struggling with a heroin addiction. But then Laszlo finds an unlikely benefactor in Harrison Lee Van Buren, a self-made titan of industry who lives in Doylestown, just north of Philadelphia.

Back in his native Hungary, before the war, Laszlo was an architect, famed for designing austere, unadorned buildings. In the U.S., he winds up in Pennsylvania. He's a nobody, shoveling coal and struggling with a heroin addiction. But then Laszlo finds an unlikely benefactor in Harrison Lee Van Buren, a self-made titan of industry who lives in Doylestown, just north of Philadelphia.

He's plagued magnificently by Guy Pearce. Harrison learns of Laszlo's European reputation and and hires him to design a local community center, a years-long project that will become an expensive, all-consuming obsession. In time, Laszlo is reunited with his wife, Erzsabet, a very good Felicity Jones, from whom he was separated during the war.

He's plagued magnificently by Guy Pearce. Harrison learns of Laszlo's European reputation and and hires him to design a local community center, a years-long project that will become an expensive, all-consuming obsession. In time, Laszlo is reunited with his wife, Erzsabet, a very good Felicity Jones, from whom he was separated during the war.

He's plagued magnificently by Guy Pearce. Harrison learns of Laszlo's European reputation and and hires him to design a local community center, a years-long project that will become an expensive, all-consuming obsession. In time, Laszlo is reunited with his wife, Erzsabet, a very good Felicity Jones, from whom he was separated during the war.

But her return can only do so much to ground him, as he succumbs to the pull of ambition and addiction. The Brutalist is clearly in conversation with the Fountainhead, Like Ayn Rand's architect protagonist, Howard Rourke, Laszlo is a stubborn, uncompromising visionary.

But her return can only do so much to ground him, as he succumbs to the pull of ambition and addiction. The Brutalist is clearly in conversation with the Fountainhead, Like Ayn Rand's architect protagonist, Howard Rourke, Laszlo is a stubborn, uncompromising visionary.

But her return can only do so much to ground him, as he succumbs to the pull of ambition and addiction. The Brutalist is clearly in conversation with the Fountainhead, Like Ayn Rand's architect protagonist, Howard Rourke, Laszlo is a stubborn, uncompromising visionary.

But the actor-turned-filmmaker Brady Corbett, who previously directed the corrosive pop star psychodrama Vox Lux, is chasing after some thorny ideas of his own. The Brutalist is about the challenges of cultural assimilation, the crucial role that immigrant labor played in America's post-war boom, and the inherent power imbalance between patrons and artists. It's also about anti-Semitism.

But the actor-turned-filmmaker Brady Corbett, who previously directed the corrosive pop star psychodrama Vox Lux, is chasing after some thorny ideas of his own. The Brutalist is about the challenges of cultural assimilation, the crucial role that immigrant labor played in America's post-war boom, and the inherent power imbalance between patrons and artists. It's also about anti-Semitism.

But the actor-turned-filmmaker Brady Corbett, who previously directed the corrosive pop star psychodrama Vox Lux, is chasing after some thorny ideas of his own. The Brutalist is about the challenges of cultural assimilation, the crucial role that immigrant labor played in America's post-war boom, and the inherent power imbalance between patrons and artists. It's also about anti-Semitism.

Laszlo is tolerated, barely, within Harrison's waspy inner circle. His genius makes him interesting and valuable to them, but it also makes him exploitable. Not everything about The Brutalist works. One late plot twist seems a touch literal-minded, and I'm still chewing over the meaning of the final act.

Laszlo is tolerated, barely, within Harrison's waspy inner circle. His genius makes him interesting and valuable to them, but it also makes him exploitable. Not everything about The Brutalist works. One late plot twist seems a touch literal-minded, and I'm still chewing over the meaning of the final act.

Laszlo is tolerated, barely, within Harrison's waspy inner circle. His genius makes him interesting and valuable to them, but it also makes him exploitable. Not everything about The Brutalist works. One late plot twist seems a touch literal-minded, and I'm still chewing over the meaning of the final act.

But Courbet, who's only 36, is already a director of startling confidence, and he's made a rare American film that feels genuinely worthy of the word epic. Here I should note that The Brutalist runs 3 hours and 35 minutes, and holds you for every one of them. There is a 15-minute intermission, and I couldn't wait for it to end.

But Courbet, who's only 36, is already a director of startling confidence, and he's made a rare American film that feels genuinely worthy of the word epic. Here I should note that The Brutalist runs 3 hours and 35 minutes, and holds you for every one of them. There is a 15-minute intermission, and I couldn't wait for it to end.

But Courbet, who's only 36, is already a director of startling confidence, and he's made a rare American film that feels genuinely worthy of the word epic. Here I should note that The Brutalist runs 3 hours and 35 minutes, and holds you for every one of them. There is a 15-minute intermission, and I couldn't wait for it to end.