Justin Kurzel

Ich war nur ein paar Wochen vor ihm im Gefängnis. Es gab also nicht viele Unterschiede. Aber Daniel, der John Bunting spielte, I said, you've got to be in this neighborhood for six weeks and you've got to get out there. And I gave him a certain number of things to kind of do. But he just sat in his room reading books about serial killers and putting post-it notes up everywhere and wouldn't go out.

And, you know, that was, you know, we had a very big discussion about... Man muss das Klischee des Serialkillers überwinden. Interessant an dieser Person ist, dass sie sozial ist. Und tatsächlich kam die FBI nach Australien und studierte diesen Charakter, weil er sehr ungewöhnlich war, wie sozial er war. Als Psychopath, als Serialkiller.

And, you know, that was, you know, we had a very big discussion about... Man muss das Klischee des Serialkillers überwinden. Interessant an dieser Person ist, dass sie sozial ist. Und tatsächlich kam die FBI nach Australien und studierte diesen Charakter, weil er sehr ungewöhnlich war, wie sozial er war. Als Psychopath, als Serialkiller.

And, you know, that was, you know, we had a very big discussion about... Man muss das Klischee des Serialkillers überwinden. Interessant an dieser Person ist, dass sie sozial ist. Und tatsächlich kam die FBI nach Australien und studierte diesen Charakter, weil er sehr ungewöhnlich war, wie sozial er war. Als Psychopath, als Serialkiller.

So as soon as I spoke to Daniel about, you've got to take these kids camping that are in the film. You've got to kind of cook for everyone. He turned up on set after doing all these sort of little kind of tasks. And straight away everyone just sort of, you know, came up to him and gravitated towards him. The kids were jumping over him and there was, sometimes it's as simple as that.

So as soon as I spoke to Daniel about, you've got to take these kids camping that are in the film. You've got to kind of cook for everyone. He turned up on set after doing all these sort of little kind of tasks. And straight away everyone just sort of, you know, came up to him and gravitated towards him. The kids were jumping over him and there was, sometimes it's as simple as that.

So as soon as I spoke to Daniel about, you've got to take these kids camping that are in the film. You've got to kind of cook for everyone. He turned up on set after doing all these sort of little kind of tasks. And straight away everyone just sort of, you know, came up to him and gravitated towards him. The kids were jumping over him and there was, sometimes it's as simple as that.

It's about how do you make this person feel human? Right. You know, and how do the people around that character sort of see them as human and see them as sort of almost quite normal? Sure. And that's when it becomes interesting. That's where you're sort of rubbing up against the largeness of their actions next to the kind of

It's about how do you make this person feel human? Right. You know, and how do the people around that character sort of see them as human and see them as sort of almost quite normal? Sure. And that's when it becomes interesting. That's where you're sort of rubbing up against the largeness of their actions next to the kind of

It's about how do you make this person feel human? Right. You know, and how do the people around that character sort of see them as human and see them as sort of almost quite normal? Sure. And that's when it becomes interesting. That's where you're sort of rubbing up against the largeness of their actions next to the kind of

Well, that's, I mean, the evil was like a slow boil. You don't realize that it's kind of cooking. Yeah. And I think there is a sort of, there's a moment where it's almost too late. Yeah. And I think that's what I find so compelling about those characters. And then what makes you go to Macbeth after that? I mean, are you a Shakespeare guy? Well, my... I first started off in theater.

Well, that's, I mean, the evil was like a slow boil. You don't realize that it's kind of cooking. Yeah. And I think there is a sort of, there's a moment where it's almost too late. Yeah. And I think that's what I find so compelling about those characters. And then what makes you go to Macbeth after that? I mean, are you a Shakespeare guy? Well, my... I first started off in theater.

Well, that's, I mean, the evil was like a slow boil. You don't realize that it's kind of cooking. Yeah. And I think there is a sort of, there's a moment where it's almost too late. Yeah. And I think that's what I find so compelling about those characters. And then what makes you go to Macbeth after that? I mean, are you a Shakespeare guy? Well, my... I first started off in theater.

I was a theater designer. And so I spent a lot of time in theater and in rehearsal rooms. And I actually designed it when I was sort of just out of school. So it was out of the blue. I'd seen Michael in a couple of films that I really loved. And the idea of Michael kind of playing Macbeth. And there was something about... Die Art und Weise, wie es geschrieben wurde, war wie ein Western.

I was a theater designer. And so I spent a lot of time in theater and in rehearsal rooms. And I actually designed it when I was sort of just out of school. So it was out of the blue. I'd seen Michael in a couple of films that I really loved. And the idea of Michael kind of playing Macbeth. And there was something about... Die Art und Weise, wie es geschrieben wurde, war wie ein Western.

I was a theater designer. And so I spent a lot of time in theater and in rehearsal rooms. And I actually designed it when I was sort of just out of school. So it was out of the blue. I'd seen Michael in a couple of films that I really loved. And the idea of Michael kind of playing Macbeth. And there was something about... Die Art und Weise, wie es geschrieben wurde, war wie ein Western.

Und wir schießen in Skotland, in diesen Bereichen, die hier gesetzt und geschrieben wurden. Wo du siehst und denkst, es gibt hier Schwestern. Ja, ja, ja. Das Landschaftsbild sagt so viel mit dem Vers. Und es gab auch etwas über diese Posttrauma eines Soldaten und die Möglichkeit, diesen Sinn des Kampfes auf dem Bild zu stellen und wie das in einer Art Psychose weitergeht.

Und wir schießen in Skotland, in diesen Bereichen, die hier gesetzt und geschrieben wurden. Wo du siehst und denkst, es gibt hier Schwestern. Ja, ja, ja. Das Landschaftsbild sagt so viel mit dem Vers. Und es gab auch etwas über diese Posttrauma eines Soldaten und die Möglichkeit, diesen Sinn des Kampfes auf dem Bild zu stellen und wie das in einer Art Psychose weitergeht.

Und wir schießen in Skotland, in diesen Bereichen, die hier gesetzt und geschrieben wurden. Wo du siehst und denkst, es gibt hier Schwestern. Ja, ja, ja. Das Landschaftsbild sagt so viel mit dem Vers. Und es gab auch etwas über diese Posttrauma eines Soldaten und die Möglichkeit, diesen Sinn des Kampfes auf dem Bild zu stellen und wie das in einer Art Psychose weitergeht.

der Tod dieses Kindes und wie Griechen vielleicht in Ambition werden könnte. Es gab viele kleine Dinge da, aber es war einfach so, oh wow, ich kann das als Western sehen. Und ich gehe in Skotland auf Fotos und es gab etwas, es gab auch etwas über die Idee, dass man verletzt wird von Schaden und was das ist und ob man die Sache wird, die man, weißt du. Ja, also es war...