Justine Moore

speaker

1,753 appearances 12 recordings 1 series first heard Jun 2025 last heard 29 Jul

Justine Moore’s voice in public audio — every appearance, attributed to the second.

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Recordings per month over the last 12 months — 5 in all, peaking in Jul 2026 with 1.

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The a16z Show · AI Micro Dramas, Generative Media, and the Future of Creativity · 29 Jul 2026 podcast

not very good images to not very good two second videos now to like full coherent 15 second videos that people can generate, let alone, you know, all the advancements that have happened in image and voice and 3D.

I think we're at a really interesting point where the model quality has gotten good enough that you can actually make things that are compelling to watch and that carry a storyline versus things that are just like interesting for the novelty value of like, whoa, AI can make something that almost looks real.

And so as a result, we've had a ton of progress happening both on the model layer, obviously, and those improvements will continue to happen later.

but also on the product layer.

Like when the models are finally good enough for people to use, you kind of have to create the right harnesses and workflows for people to actually leverage them, especially people who...

you know, aren't full-time prompting all of these models.

And so they don't know what model to pick for which use case, how to write a really good prompt, things like that.

So to me, it feels like where we are in generative media right now is really the entire ecosystem maturing, both generative

consumers, but also professional studios waking up to the fact that these are models are finally good enough to use and the product builders realizing that there's a lot of opportunity to create like the interfaces through which we use them.

Yeah.

So I describe micro dramas as almost like the TikTokified version of soap operas.

So they're usually like pretty dramatic, salacious, like interesting pieces of content that are relatively short.

They're typically vertical video.

They play both on places like TikTok, but also on apps like Real Short or Drama Box.

They really started blowing up first in China like a few years ago.

And

now the micro drama market in China is larger than their domestic box office.

There's everyone there is just, you know, subscribing to these apps, viewing all of these micro dramas.

And I think they started to take off in the U.S.

quite a bit last year.

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