Kane Parsons

I didn't know how to do anything other than just use, I think I used this software called Huey Animation or something on either the family computer.

I don't know if I had a laptop at that time.

And I didn't have a phone or a tablet or anything yet at that point.

So I think I was just using a family computer.

And I, I think it was probably like I had watched, you know, I, YouTube was like the main thing I chose to watch when I had the time.

And I think it was just an aspect of, I don't know what it was at that point.

I think it, I'm sure an element of what I do comes out of wanting, like it's, you know, it's seeking some form of validation socially, of course.

Um,

it's not like in a very clear way, like you don't look at art and, or, you know, I don't think what I've been doing really has that appearance overly, like it's being done for attention.

But I think that like, you know, that's kind of the social contract that I made in my childhood with like,

Okay, if I'm a bit of an indoorsy person who is not the most socially interactive or is not the most on the same wavelength as a lot of my peers, I will make up for that by over-relying on these technical trades that I can then exercise to an impressive degree, hopefully.

And then the conversation can just be about that rather than anything else.

And I think that's kind of worked out.

But I think if I had to guess, that's kind of subconsciously what the deeper psychology there was to a certain degree.

But I also just found it really satisfying.

It was just kind of like a really high dopamine reward from doing it.

More of making the thing.

I think the uploading was just...

either part of what I just said or a desire to

I'm sure there's more to it.