Karla Lally Music

I can understand a mom wanting to hear I love you from her child. So the relief was real. And the emotions around FC were deep. But soon after the method came to the U.S., it was debunked, or at least declared wholly unreliable.

I can understand a mom wanting to hear I love you from her child. So the relief was real. And the emotions around FC were deep. But soon after the method came to the U.S., it was debunked, or at least declared wholly unreliable.

To quote a program director in the PBS documentary who was involved in some of that testing, out of 180 trials, quote, we literally really didn't get one correct response. Are you suggesting manipulation? Or what are you suggesting exactly?

To quote a program director in the PBS documentary who was involved in some of that testing, out of 180 trials, quote, we literally really didn't get one correct response. Are you suggesting manipulation? Or what are you suggesting exactly?

To quote a program director in the PBS documentary who was involved in some of that testing, out of 180 trials, quote, we literally really didn't get one correct response. Are you suggesting manipulation? Or what are you suggesting exactly?

As we mentioned before, FC in its original form was just holding someone's hand or arm or shoulder while the other person typed on a keyboard. Potentially, at least optics-wise, lots of room for subconsciously guiding the person to where you want them to type. But in Mia's case, on the Telepathy Tapes podcast, her mom just had a finger on her forehead or she was holding her chin.

As we mentioned before, FC in its original form was just holding someone's hand or arm or shoulder while the other person typed on a keyboard. Potentially, at least optics-wise, lots of room for subconsciously guiding the person to where you want them to type. But in Mia's case, on the Telepathy Tapes podcast, her mom just had a finger on her forehead or she was holding her chin.

As we mentioned before, FC in its original form was just holding someone's hand or arm or shoulder while the other person typed on a keyboard. Potentially, at least optics-wise, lots of room for subconsciously guiding the person to where you want them to type. But in Mia's case, on the Telepathy Tapes podcast, her mom just had a finger on her forehead or she was holding her chin.

Okay. So the filmmaker had a certain reaction, which we can assume was an honest reaction. I mean, let's just say it was an honest reaction, the filmmaker and the cameraman. They looked, they saw the hands on the forehead. They were like, whoa, something beyond my comprehension is going on here. What did you see then? How did you assess the forehead touch?

Okay. So the filmmaker had a certain reaction, which we can assume was an honest reaction. I mean, let's just say it was an honest reaction, the filmmaker and the cameraman. They looked, they saw the hands on the forehead. They were like, whoa, something beyond my comprehension is going on here. What did you see then? How did you assess the forehead touch?

Okay. So the filmmaker had a certain reaction, which we can assume was an honest reaction. I mean, let's just say it was an honest reaction, the filmmaker and the cameraman. They looked, they saw the hands on the forehead. They were like, whoa, something beyond my comprehension is going on here. What did you see then? How did you assess the forehead touch?

So Mia and her mom are doing what then? Is it like a collective – I'm just trying to find a word or articulate what is happening in that room because you're not calling it manipulation. You're not saying that Mia and her mom are kind of hucksters, you know, doing a circus trick to get themselves on a podcast. That's not your characterization of them at all, right? No.

So Mia and her mom are doing what then? Is it like a collective – I'm just trying to find a word or articulate what is happening in that room because you're not calling it manipulation. You're not saying that Mia and her mom are kind of hucksters, you know, doing a circus trick to get themselves on a podcast. That's not your characterization of them at all, right? No.

So Mia and her mom are doing what then? Is it like a collective – I'm just trying to find a word or articulate what is happening in that room because you're not calling it manipulation. You're not saying that Mia and her mom are kind of hucksters, you know, doing a circus trick to get themselves on a podcast. That's not your characterization of them at all, right? No.

And you're not saying that Kai Dickens, the host or the cameraman are like lying. We're not saying that.

And you're not saying that Kai Dickens, the host or the cameraman are like lying. We're not saying that.

And you're not saying that Kai Dickens, the host or the cameraman are like lying. We're not saying that.

Okay. So what's in the mix then? Let me just try this and you see if I'm with you here. So it's not lying you think is in the mix between this parent and child. It's some form of communion, like love, maybe even connection. I would say like hope, like there's so much out there. I'm a parent of an autistic child, though, not a nonverbal one, but so much hope of, uh,

Okay. So what's in the mix then? Let me just try this and you see if I'm with you here. So it's not lying you think is in the mix between this parent and child. It's some form of communion, like love, maybe even connection. I would say like hope, like there's so much out there. I'm a parent of an autistic child, though, not a nonverbal one, but so much hope of, uh,

Okay. So what's in the mix then? Let me just try this and you see if I'm with you here. So it's not lying you think is in the mix between this parent and child. It's some form of communion, like love, maybe even connection. I would say like hope, like there's so much out there. I'm a parent of an autistic child, though, not a nonverbal one, but so much hope of, uh,