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Kate Evans

šŸ‘¤ Speaker
21948 total appearances

Appearances Over Time

Podcast Appearances

The Bookshelf
Elizabeth Strout, Daniel Kehlmann and a Genre‑Bending Debut

There's a scene in a football game and suddenly you realise you've been lulled in, in a way.

The Bookshelf
Elizabeth Strout, Daniel Kehlmann and a Genre‑Bending Debut

And then suddenly this horrible heated atmosphere comes in and it just turns...

The Bookshelf
Elizabeth Strout, Daniel Kehlmann and a Genre‑Bending Debut

But, you know, she does it really, really well because, you know, obviously the temptation is to, you know, with this is to sort of bring the hammer out and just sort of bang, bang.

The Bookshelf
Elizabeth Strout, Daniel Kehlmann and a Genre‑Bending Debut

But she doesn't.

The Bookshelf
Elizabeth Strout, Daniel Kehlmann and a Genre‑Bending Debut

And I think it's all the more powerful because she does it that way.

The Bookshelf
Elizabeth Strout, Daniel Kehlmann and a Genre‑Bending Debut

I did.

The Bookshelf
Elizabeth Strout, Daniel Kehlmann and a Genre‑Bending Debut

I think it's, you know, it could be an American tradition in a way because he's not someone that I've read, but, you know, like Thomas Pynchon and these sort of writers often have, I think, silly names.

The Bookshelf
Elizabeth Strout, Daniel Kehlmann and a Genre‑Bending Debut

They ring alarm bells in my head when I'm reading them because I can't take the book as seriously.

The Bookshelf
Elizabeth Strout, Daniel Kehlmann and a Genre‑Bending Debut

But these names in this book, and because Strout does it so well,

The Bookshelf
Elizabeth Strout, Daniel Kehlmann and a Genre‑Bending Debut

That didn't bother me.

The Bookshelf
Elizabeth Strout, Daniel Kehlmann and a Genre‑Bending Debut

And I found these names exotic and good, very American, but they didn't tip into silliness.

The Bookshelf
Elizabeth Strout, Daniel Kehlmann and a Genre‑Bending Debut

And so I found all of that fine.

The Bookshelf
Elizabeth Strout, Daniel Kehlmann and a Genre‑Bending Debut

The Boundless Deep by Richard Holmes, which is a biography of Alfred Tennyson, the 19th century English poet.

The Bookshelf
Elizabeth Strout, Daniel Kehlmann and a Genre‑Bending Debut

He's looking at the early career of Tennyson up to about 1850 when Tennyson's 40, almost 50.

The Bookshelf
Elizabeth Strout, Daniel Kehlmann and a Genre‑Bending Debut

You know, Tennyson is a poet whose, probably his reputation has gone down quite a lot over the last 50 years.

The Bookshelf
Elizabeth Strout, Daniel Kehlmann and a Genre‑Bending Debut

50, 60 years, but he sort of resurrects the early Tennyson, not the poet laureate of empire that he becomes in the latter half of the 19th century, but it's the young man at Cambridge writing his early poetry who's a far more radical person than what he turns in to be.

The Bookshelf
Elizabeth Strout, Daniel Kehlmann and a Genre‑Bending Debut

So it's concentrating on early Tennyson as a poet, and at the same time, and this is something that Holmes has done a lot over the last 20 years, is wind in scientifically

The Bookshelf
Elizabeth Strout, Daniel Kehlmann and a Genre‑Bending Debut

discovery through botany astronomy the invention of the telescope the invention of the microscope and how this brought into this crisis of god and man in the early part of the 19th century and how it affected the poets he's a really good writer he's he's light he doesn't get bogged down and he's really good on literary criticism and looking into he knows the poets really well

The Bookshelf
Elizabeth Strout, Daniel Kehlmann and a Genre‑Bending Debut

Well, I recommend David Maloof's Jono.

The Bookshelf
Elizabeth Strout, Daniel Kehlmann and a Genre‑Bending Debut

It has a special resonance with me because he was a Brisbane author.