Kate Flannery

You just feel like you can't, you know, you're in good hands all the time.

You're in good hands.

So you can trust the process.

I'd say maybe...

4%, maybe 5% is improv.

Interesting.

Steve and Rain probably improvised a little more than most of us, but they also had more to say.

It's a sense of reality. It's a sense of reality. Yeah, it's awesome. And it's, I just feel like the level of thought and intelligence that was put into every conversation Script, you know, and just having a great cast of great, great directors, great producers, great editors. You just feel like you can't, you know, you're in good hands all the time. You're in good hands.

It's a sense of reality. It's a sense of reality. Yeah, it's awesome. And it's, I just feel like the level of thought and intelligence that was put into every conversation Script, you know, and just having a great cast of great, great directors, great producers, great editors. You just feel like you can't, you know, you're in good hands all the time. You're in good hands.

It's a sense of reality. It's a sense of reality. Yeah, it's awesome. And it's, I just feel like the level of thought and intelligence that was put into every conversation Script, you know, and just having a great cast of great, great directors, great producers, great editors. You just feel like you can't, you know, you're in good hands all the time. You're in good hands.

Sure.

So we would kind of hit the actual script, and then I learned quickly that if I improvised within my lines or had one little addition while I was speaking... Because you're having to deal with camera guys who are like documentarians who are moving to...

They know who they're going to look at and focus on.

So you can trust the process.

So you can trust the process.

So you can trust the process.

So you can't just suddenly have an idea and railroad the whole process.

You have to be in focus.

I didn't think about that.

Yeah.