Kate Hudson

You know, it was big set pieces, long days long.

big crew, so as much fun as we were having, then we, like anything else, like it's a job and hard, great work.

Preparation, again.

I think focus.

Cameron is a writer-director.

His words are important to him, as they should be.

And when you're young, you are learning kind of that sometimes a change of a word might not be the right word to change.

Oh, did that happen?

Well, I mean, I think it happens a lot, you know, when you're working and you're like, you know, in the middle of a scene and your brain might flub something and all of a sudden you're saying it in a different way or changing the way that the line works.

When you're working with someone like Cameron, the way he writes is specific to his storytelling.

And then the goal is making that seem effortless again, which can be challenging because Cameron's words are specific.

And so when you get his words right, it's magic.

And then, of course, then you have a career and you realize sometimes what's on the page shouldn't be on the page.

And you got to be able to decipher when that's – when you're working with the right person to do that with and then maybe being a helpful collaborative partner and –

you know, changing certain things around.

It's been so dumbed down.

I mean, anybody who, we all know it, the rom-com genre is,

Is a very hard genre to get right because people, like, they see one formula of a rom-com and then they want to repeat it over and over and over and over again.

Right, because it's like, that worked.

How to lose a guy in 10 days, right?