Kate Langbroek

It was a long shoot.

It was a 100-day shoot.

So I'm there in Melb's with Harry and our two little daughters.

Yeah, she was months old.

Right, yeah, yeah.

She was like from like three months to like what, eight months?

Yeah, right.

And so we're wrapping that up.

We're a few weeks away from wrapping that up and we're about to move to Montreal for five months because Harry got a job, an American job, a CBS show called DMV and that was shooting in Montreal.

So we're about to move from Melbourne to Montreal with two kids and a nanny.

And I got a call saying, hey, they're having trouble casting this role and they'd love you to put down a tape.

And I said, that's so lovely.

I respectfully won't put down a tape because I don't have the time.

Like I genuinely don't have the time to put down a tape.

Like to put down a good tape, you don't want to put down something half-assed.

You don't want to put down something good.

It takes half a day.

You've got to learn it.

You've got to do the takes, edit it, blah, blah, blah.

And at any other time, secondly, even if I got the job, we would then be in Montreal and Harry will be on set 15 hours a day.