Kathryn VanArendonk

World domination for a thing created by one man that's just kind of about him hanging out with his family is a really fascinating prospect.

So I have a lot of original conversations with the creator and with animators, but then it is also really attempt critically to grapple with

what that show says about parenting, what it expects, what sort of good childhood looks like.

And yeah, I'm almost done with the process of getting that book to final edits.

And I'm really excited about all of the elements of that.

This is literally why I wrote the book.

I was writing about the last episode, The Sign, this big sort of finale thing.

And I had all these thoughts and feelings about it.

And I like went and took a walk and I was like, somebody's going to write a blue book.

And then I was like, damn it, damn it.

I'm going to have to do it, aren't I?

Thank you so much for having me.

I'm so happy to be able to come and yell about Good Night Moon and Ed Baldwin, two topics that I'm just perpetually saying.

Evergreen, that's right.

Yes, they actually have one very, very important thing in common that has directly to do with what you are saying, which is that they are released weekly.

Yes, they actually have one very, very important thing in common that has directly to do with what you are saying, which is that they are released weekly.

Yes, they actually have one very, very important thing in common that has directly to do with what you are saying, which is that they are released weekly.

My name is Catherine Van Arendonk, and I'm a critic at Vulture and New York Magazine.

My name is Catherine Van Arendonk, and I'm a critic at Vulture and New York Magazine.

My name is Catherine Van Arendonk, and I'm a critic at Vulture and New York Magazine.