Keith Adams

And I say that because there is a vast, vast number of documents, millions and millions.

We are still going through them.

And I expect there are still powerful people around the world about whom more embarrassing revelations will come out in the near future.

Joe Inwood.

And for the in-depth backstory of how the Epstein files have rocked the British establishment, search for our sister podcast, The Global Story, wherever you listen to your favourite podcasts.

It may well be Super Bowl weekend, but in Hollywood, another contest is causing excitement.

On Saturday, the Directors Guild of America holds its annual awards, seen as a strong indicator of who might take home that coveted Best Director trophy at the Oscars.

And as Alan Maloney reports, there's a growing buzz around Ryan Coogler for his supernatural thriller Sinners.

With the awards season in full flow, there is one film on the lips of Academy voters.

Period vampire film Sinners is the brainchild of Black Panther and Creed director Ryan Coogler and reunites him with frequent collaborator Michael B. Jordan.

You twins?

Nah, we cousins.

But it's Paul Thomas Anderson, director of one battle after another, not Coogler, who's seen as the current favourite to win for Best Director Oscar.

But that could change if Coogler wins in their same category at Saturday's Directors Guild Awards, long been seen as a bellwether in predicting the best director Oscar winner.

But for Coogler, whatever happens in the award sweepstakes, Sinners remains a very personal story.

He passed away 10 years ago in 2015.

And after he passed, I found myself listening to the blues records that I would listen to with him as a way of processing it.

And that transformative power of that music and the ritual of listening to music to trigger nostalgia for a loved one was what gave me the idea for this movie.

Sinners had been predicted to do well in terms of nominations, but its record-breaking tally of 16 has exceeded the dreams of even its biggest supporters.

Not bad for a film originally released last April and marketed as more of a crowd-pleasing blockbuster than a worthy Oscar drama.