Keith Morrison

Okay, here's what we're going to do tonight.

The CHP marked where the body was found, where the bike was, the glasses.

They added in the location of the cameras and what they could see on that fuzzy videotape.

And they put it all together to figure out exactly what happened in that dark alley to Kenneth McDavid.

Which is inexplicable, by the way, to his family because he's crossing the country to live way over, far, far, far away from them with this person they don't really know in Santa Monica on the other coast.

I do remember that.

It wasn't such an amazing discovery.

We're standing in the cemetery and there are leaves in the ground.

It's autumn, I guess.

And I'm just shuffling my feet around where the gravesite is.

And there are two more gravestones there.

for Keisha and Helen, right?

So they're going to be buried beside poor old Fred Downey, and Fred's relative is very, very, very unhappy about that.

But she hadn't discovered that before.

And Susan tells me that those graves are still empty, still kind of waiting for somebody who probably won't get there.

I mean, certainly they were both apparently scheming and conniving people who were looking for an easy mark.

I got the impression that Helen was the one who was scheming and coming up with these ideas.

Yeah.

Given what happened since, it makes you want to look at it more carefully, all right.

Although that scene in the low-ceilinged room with the fluorescent light and the missing files would be a fabulous little scene in the movie, don't you think?