Kevin Bleyer

And I enjoyed the idea of we show up at nine and we have to have something done by three, in a sense, for rehearsal.

Wow.

And you say the grind of it was like, we have to do it every day.

But that also, oddly enough, it depends on, I guess, the personality type.

It takes a little pressure off of it because if everyone is on the same page and believes, all right, we're all trying to get to this end zone, even if we fail to get there and it's not grade A premium stuff that day,

you get another chance the next day.

It's not, you know, if I may, it's like how you guys felt when you went from five days to three.

There we go.

Yes.

May I say that?

James, can we put the jingle in there?

Thank you.

Now I feel part of the Chattabix lore there.

In granular detail, please, Doug.

I have to ask you, Doug, do you ever look at your son now and say, it's because of you I never went to the after after parties?

Every day.

So I never, I never actually made sketches and I was very- But when you pitched them to Tina Fey and Seth Meyers on paper, you were, you got, if you got a resounding thump, you knew that it wasn't something that they enjoyed, right?

Is that what you're saying, Doug?

Like you didn't get the verbal response in the room, but you knew which jokes they liked and which they didn't.

Who is he?