Kevin Harlan

but a great dunk or a great, I'm not talking just a two-handed flush inside by Wemby or whoever, but I'm talking about a well-timed, orchestrated guy flying, here's the pass, delivered perfectly, executed, like these things just always continue to take my breath away.

And I'm not going to apologize to anyone for getting too excited in the first or second quarter,

of a play that has that kind of momentous feel.

I guess I'm going by my heart and what my years watching the game have taught me, and I'm kind of relying on that.

Well, you are too kind.

And coming from you, I appreciate that.

I was actually working with Greg Anthony.

That's right.

It was Greg Anthony.

That's right.

Greg was there.

And just before that, you know, Butler had gone in for Philadelphia and had a miraculous play and got it to where it was when the inbound came in from the Raptors.

And it is probably I do think in those moments late in the game, that's where the silence really pays off.

And we had a talented director that night and the cutting of the shots.

I think they took a shot outside of the building where there was those massive, you know, playoff fan areas and they were going ballistic sometimes in the arena.

You can't get the feel because everyone is in a stationary, you know, this is my seat.

But outside where it's like a big dance party, the animated fan and the celebration of that play really comes out.

So the person that cut that got the inside, got the guy on the floor in the corner, got the outside reaction.

And then the noise was just such, it was like a symphony.

And if a picture says a thousand words, sometimes, you know, with that kind of outcome that clinched a series, led them on, you don't have to say anything.