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Kevin Whitehead

๐Ÿ‘ค Speaker
231 total appearances

Appearances Over Time

Podcast Appearances

Fresh Air
Remembering Steve Cropper / Playwright Tom Stoppard

His 1956 blue note sides were an instant sensation.

Fresh Air
Remembering Steve Cropper / Playwright Tom Stoppard

In no time, his bass camp Philadelphia was rife with new style organ players like Shirley Scott, Charles Erland, Groove Holmes, and Jimmy McGriff.

Fresh Air
Remembering Steve Cropper / Playwright Tom Stoppard

Smith taught a few of them, including Joey DeFrancesco later.

Fresh Air
Remembering Steve Cropper / Playwright Tom Stoppard

Soon there were organ rooms everywhere.

Fresh Air
Remembering Steve Cropper / Playwright Tom Stoppard

Setting the style one more way, Jimmy Smith manipulated the foot pedals and tone controls to give each note a percussive attack, in effect making organ a percussion instrument.

Fresh Air
Remembering Steve Cropper / Playwright Tom Stoppard

he'd drum on a single key or two to make the point.

Fresh Air
Remembering Steve Cropper / Playwright Tom Stoppard

An electric organ keyboard has easier action than piano, so Smith could really get around.

Fresh Air
Remembering Steve Cropper / Playwright Tom Stoppard

But that percussive attack made hitting the keys sound like work, making his fastest playing seem even more superhuman.

Fresh Air
Remembering Steve Cropper / Playwright Tom Stoppard

Jimmy Smith's insane 1957 variations on Body and Soul look ahead a decade to Sun Ra's interstellar organ solos.

Fresh Air
Remembering Steve Cropper / Playwright Tom Stoppard

Jimmy Smith might pepper his LPs with bewhiskered oldies like Yes Sir, That's My Baby and Swanee.

Fresh Air
Remembering Steve Cropper / Playwright Tom Stoppard

But in the 1960s, like other jazz stars, he hoped to connect with younger rock record buyers.

Fresh Air
Remembering Steve Cropper / Playwright Tom Stoppard

Smith was better positioned to cross over than most with electric guitar and drums for a band and plenty of boogieing momentum on his own electric acts.

Fresh Air
Remembering Steve Cropper / Playwright Tom Stoppard

You can bet rock organists checked him out.

Fresh Air
Remembering Steve Cropper / Playwright Tom Stoppard

Jimmy Smith on Oliver Nelson's 1966 version of Peter and the Wolf, one of a few good albums the arranger and organist made together, one with Wes Montgomery on guitar.

Fresh Air
Remembering Steve Cropper / Playwright Tom Stoppard

In search of radio gold, Jimmy Smith stepped out as a singer on a 1968 session.

Fresh Air
Remembering Steve Cropper / Playwright Tom Stoppard

Janizer's aiming for youth dollars didn't always hit the mark, but his playing was still on the money.

Fresh Air
Remembering Steve Cropper / Playwright Tom Stoppard

Then portable keyboard synthesizers came along, and groovy Hammond B3 organs suddenly sounded old hat.

Fresh Air
Remembering Steve Cropper / Playwright Tom Stoppard

From the 1970s on, jazz organ groups would go out of and come back into fashion, and Jimmy Smith's career had its corresponding downs and ups.

Fresh Air
Remembering Steve Cropper / Playwright Tom Stoppard

He'd spawned so many admirers, it could be hard to hear him with fresh ears.

Fresh Air
Remembering Steve Cropper / Playwright Tom Stoppard

But Jimmy Smith always delivered the goods, even as the beats behind him changed, and he always displayed what I think of as outlandish good taste.