Kim Coles

I remember that day, standing and dancing. Okay, so much to talk about there. It's a bop, and it bops to this day.

I remember that day, standing and dancing. Okay, so much to talk about there. It's a bop, and it bops to this day.

Big Les is her name. She's an incredible dancer and was, you know, really one of the premier video girls that was happening in the 90s. And she came and did that dance. We've got to have her on the show. We do. She's a wonderful choreographer.

Big Les is her name. She's an incredible dancer and was, you know, really one of the premier video girls that was happening in the 90s. And she came and did that dance. We've got to have her on the show. We do. She's a wonderful choreographer.

Shut it down. So people come up to us and sing the song all the time. All the time. It has been remixed a thousand times. It's in all sorts of... There's a jazzy version. There you go. There's a country version. And it just, it shows that when you have great music... It lasts the test of time. For sure. She did that. Too blue and tight like glue.

Shut it down. So people come up to us and sing the song all the time. All the time. It has been remixed a thousand times. It's in all sorts of... There's a jazzy version. There you go. There's a country version. And it just, it shows that when you have great music... It lasts the test of time. For sure. She did that. Too blue and tight like glue.

So one of the things that's really special about this episode is, of course, it was written by our creator, Yvette Denise Lee, and Tom Anderson was brought in to be the overarching showrunner. I'm really... Grateful that Tom Anderson knew to stand down and let Yvette create the show that needed to be created. He was brought in to oversee everything.

So one of the things that's really special about this episode is, of course, it was written by our creator, Yvette Denise Lee, and Tom Anderson was brought in to be the overarching showrunner. I'm really... Grateful that Tom Anderson knew to stand down and let Yvette create the show that needed to be created. He was brought in to oversee everything.

But she wanted to create extraordinary female friendships. And that was the foundation for the show. Right.

But she wanted to create extraordinary female friendships. And that was the foundation for the show. Right.

That's Living Single.

That's Living Single.

I love Sinclair and I don't like that people think she's dumb. She's not dumb. So she did see and, you know, march to the beat of her own drummer. That's dumb. That's dumb. That's not dumb. That's not dumb. She's doing accents. She has thought this through. She wants her cousin's magazine to feel as if it's international.

I love Sinclair and I don't like that people think she's dumb. She's not dumb. So she did see and, you know, march to the beat of her own drummer. That's dumb. That's dumb. That's not dumb. That's not dumb. She's doing accents. She has thought this through. She wants her cousin's magazine to feel as if it's international.

So she's willing to put on a fake accent, like, I want people to think this is international. It's fantastic, or whatever she did. She's thought this through. That's not dumb. It's not well-placed, but it's not dumb. It's not effective. I don't even know what to say.

So she's willing to put on a fake accent, like, I want people to think this is international. It's fantastic, or whatever she did. She's thought this through. That's not dumb. It's not well-placed, but it's not dumb. It's not effective. I don't even know what to say.

And by the way, you're smart. You went to the Brooklyn... Tech, it's a school you have to take a test to get into, but that's neither here nor there. It's one of the top three high schools in New York and in the country. But, you know, to play, you know, someone who was naive and innocent and childlike, you know.

And by the way, you're smart. You went to the Brooklyn... Tech, it's a school you have to take a test to get into, but that's neither here nor there. It's one of the top three high schools in New York and in the country. But, you know, to play, you know, someone who was naive and innocent and childlike, you know.

Right. The great Betty White. Please, please. So to have that sort of innocence and childlike wander and wander around the set was fun to play and fun to do. And a great, you know, contrast to Khadijah, who has this magazine and she's pulled it.

Right. The great Betty White. Please, please. So to have that sort of innocence and childlike wander and wander around the set was fun to play and fun to do. And a great, you know, contrast to Khadijah, who has this magazine and she's pulled it.