Kim Coles

And that was just within you. That wasn't something that your mother placed in you or something you saw, just born like, ah, being a woman in this society is going to feel restrictive because of what I'm being told.

And that was just within you. That wasn't something that your mother placed in you or something you saw, just born like, ah, being a woman in this society is going to feel restrictive because of what I'm being told.

I mean, why are you choosing that on my behalf? Wow. Because we were girls. Let me ask you this. When was the first moment that you realized that you could break through all that? Like, how old were you when you were like, wait a minute, just because these roles have been given to me by this time and this space and where I was, that I don't have to do that?

I mean, why are you choosing that on my behalf? Wow. Because we were girls. Let me ask you this. When was the first moment that you realized that you could break through all that? Like, how old were you when you were like, wait a minute, just because these roles have been given to me by this time and this space and where I was, that I don't have to do that?

Boom.

Boom.

Right, right. I'm going to ask you this, though. So you have been given this body, this package. Look at how much you have done with being a woman and what you have overcome. Or you say there's still some roads to hoe, and I'm not calling you a hoe. Okay. Thanks. But look at what you have done with what you have. That's true.

Right, right. I'm going to ask you this, though. So you have been given this body, this package. Look at how much you have done with being a woman and what you have overcome. Or you say there's still some roads to hoe, and I'm not calling you a hoe. Okay. Thanks. But look at what you have done with what you have. That's true.

I don't know.

I don't know.

We have one of the writers who created this dynamic right here, right now. Please welcome to the stage the great Rob Horst. Rob Horn.

We have one of the writers who created this dynamic right here, right now. Please welcome to the stage the great Rob Horst. Rob Horn.

Now, was that baked in already or did you develop that you and Danny and Yvette and the rest of the writers, you know, just develop that, you know, it becomes sort of an unveiling for you. And then we as actors get the script and then we go and play. But how does that get unveiled or unearthed for you?

Now, was that baked in already or did you develop that you and Danny and Yvette and the rest of the writers, you know, just develop that, you know, it becomes sort of an unveiling for you. And then we as actors get the script and then we go and play. But how does that get unveiled or unearthed for you?

The two of you, I think, were some of the best at that because that was also baked into your relationship. Like you knew how to play and the acerbic and the sarcasm and the play. It was just, it was perfect.

The two of you, I think, were some of the best at that because that was also baked into your relationship. Like you knew how to play and the acerbic and the sarcasm and the play. It was just, it was perfect.

You know, now that I'm hearing your love of the characters, your love of women and your love of finding that balance between, you know, being acerbic and sarcastic. How do you as a writer feel when you hear your words displayed on stage? How does that feel to you? Do we do it right? Do we do it wrong? Are you there with us? What do you feel?

You know, now that I'm hearing your love of the characters, your love of women and your love of finding that balance between, you know, being acerbic and sarcastic. How do you as a writer feel when you hear your words displayed on stage? How does that feel to you? Do we do it right? Do we do it wrong? Are you there with us? What do you feel?

I love the depth of this, you know, so someone watching this show feels it and sees it and feels the relatability and they resonate. But to hear this, you know, this deep voice. This deep work that goes into developing these characters, putting them in places so that they have another place to go is really rich. And I hope that the audience is loving this other level to it.

I love the depth of this, you know, so someone watching this show feels it and sees it and feels the relatability and they resonate. But to hear this, you know, this deep voice. This deep work that goes into developing these characters, putting them in places so that they have another place to go is really rich. And I hope that the audience is loving this other level to it.