Kim Fields

Wow. That's the origin. Here's the other piece of the origin story that's really sweet. So Kim Fields invited all of us, so I guess we must have done the part.

Wow. That's the origin. Here's the other piece of the origin story that's really sweet. So Kim Fields invited all of us, so I guess we must have done the part.

Yes. Yes. And you rented a Winnebago for us to come and see you.

Yes. Yes. And you rented a Winnebago for us to come and see you.

And we drove out in the middle of nowhere to come see this show. We were like the Beverly Hillbillies, blackface. All this Winnebago. We did this thing.

And we drove out in the middle of nowhere to come see this show. We were like the Beverly Hillbillies, blackface. All this Winnebago. We did this thing.

Yeah.

Yeah.

We came to see you. Here we go. So we know that you're a director now. And we've both been directed by you on Living Single. And I got a chance to work with you on The Upshaws.

We came to see you. Here we go. So we know that you're a director now. And we've both been directed by you on Living Single. And I got a chance to work with you on The Upshaws.

Yeah. Everywhere I look up, you're everywhere. It's amazing. But you were directing before you were directing. And I'm going to take you back to a moment that I always tease you about. But it really is about your generosity. So I'm going to take you back to a moment early on in our season, season one. And you came over to me and said, just so you know, camera four is your camera.

Yeah. Everywhere I look up, you're everywhere. It's amazing. But you were directing before you were directing. And I'm going to take you back to a moment that I always tease you about. But it really is about your generosity. So I'm going to take you back to a moment early on in our season, season one. And you came over to me and said, just so you know, camera four is your camera.

Get your camera, girl. Camera one is my camera because I'm going to get my looks. Get your camera. Get your looks, girl. Because the director, I guess, was directing the whole show, but hadn't yet zoned in on saying, okay, make sure that you like, camera four is your camera. Because you didn't want to appear to be giving notes.

Get your camera, girl. Camera one is my camera because I'm going to get my looks. Get your camera. Get your looks, girl. Because the director, I guess, was directing the whole show, but hadn't yet zoned in on saying, okay, make sure that you like, camera four is your camera. Because you didn't want to appear to be giving notes.

But it was generous for you to go, get your camera, girl, because I'm going to get mine. And it was generous. And it was directing. And you realize that something was missing. Like, you're going to miss this great shot if you don't, you know, center. And nobody's telling you, so I'm going to tell you. And you set this precedent of going, oh, you have something.

But it was generous for you to go, get your camera, girl, because I'm going to get mine. And it was generous. And it was directing. And you realize that something was missing. Like, you're going to miss this great shot if you don't, you know, center. And nobody's telling you, so I'm going to tell you. And you set this precedent of going, oh, you have something.

Could somebody come and fix her makeup? Okay, is this okay? Like, generosity and caring and giving a damn. That's true. And I watch you direct. And it's amazing how you... I guess the best directors keep it all in their head and all in their heart all at the same time. But you never see you blink. I was waiting. I said, is she going to blink? Is she going to blink? Jimmy, you got that?

Could somebody come and fix her makeup? Okay, is this okay? Like, generosity and caring and giving a damn. That's true. And I watch you direct. And it's amazing how you... I guess the best directors keep it all in their head and all in their heart all at the same time. But you never see you blink. I was waiting. I said, is she going to blink? Is she going to blink? Jimmy, you got that?

Joey, can we get that? Okay, can we fix this? She doesn't like her chair. Fix this. Okay. Very good. Are we getting? And ready to do your own lines. I was like, how is she running things? Hold on just a moment. I'm going to go take a look at it, Kim. You look good. Kim, move to the left. Which Kim? Yes, I'm talking to you. I'm Kim talking to the other Kim. Move to the left. All right, we got it.

Joey, can we get that? Okay, can we fix this? She doesn't like her chair. Fix this. Okay. Very good. Are we getting? And ready to do your own lines. I was like, how is she running things? Hold on just a moment. I'm going to go take a look at it, Kim. You look good. Kim, move to the left. Which Kim? Yes, I'm talking to you. I'm Kim talking to the other Kim. Move to the left. All right, we got it.