Kyle Mooney

I feel like with the introduction of electronics and robotics, there's always been that thought that when is the point that these things are going to turn on us? And even in the course of... Working on this movie, we started writing it in 2019, and now it's 2024 that it's coming out.

I feel like with the introduction of electronics and robotics, there's always been that thought that when is the point that these things are going to turn on us? And even in the course of... Working on this movie, we started writing it in 2019, and now it's 2024 that it's coming out.

I feel like with the introduction of electronics and robotics, there's always been that thought that when is the point that these things are going to turn on us? And even in the course of... Working on this movie, we started writing it in 2019, and now it's 2024 that it's coming out.

We've seen an evolution of AI, and it's seemingly become more threatening and more real than even it was when we first started talking about this.

We've seen an evolution of AI, and it's seemingly become more threatening and more real than even it was when we first started talking about this.

We've seen an evolution of AI, and it's seemingly become more threatening and more real than even it was when we first started talking about this.

We made playlists for them. We sent them lists of movies to watch. And, you know, any phrase or reference they didn't know, obviously we'd fill them in. It was really on them to decide how much they wanted to invest in learning about...

We made playlists for them. We sent them lists of movies to watch. And, you know, any phrase or reference they didn't know, obviously we'd fill them in. It was really on them to decide how much they wanted to invest in learning about...

We made playlists for them. We sent them lists of movies to watch. And, you know, any phrase or reference they didn't know, obviously we'd fill them in. It was really on them to decide how much they wanted to invest in learning about...

The culture and the time, like, I think the characters, like, even though they are these archetypes of the period and, like, some of them are very distinctly late 90s, early 2000s, there is a universal quality to them. And I think that, like, even our young actors, I think, could relate, like, I know a comp to this and I know the vulnerability of being this age. I say let's go to the party.

The culture and the time, like, I think the characters, like, even though they are these archetypes of the period and, like, some of them are very distinctly late 90s, early 2000s, there is a universal quality to them. And I think that, like, even our young actors, I think, could relate, like, I know a comp to this and I know the vulnerability of being this age. I say let's go to the party.

The culture and the time, like, I think the characters, like, even though they are these archetypes of the period and, like, some of them are very distinctly late 90s, early 2000s, there is a universal quality to them. And I think that, like, even our young actors, I think, could relate, like, I know a comp to this and I know the vulnerability of being this age. I say let's go to the party.

I think so. I mean, I can't say that I'm, like, the king of the zeitgeist by any means. You know what I mean? I'm not, like... Unfortunately, I'm not incredibly aware of what's happening in the moment at times, but, like, you kind of got a sense that Y2K as a fashion aesthetic was coming back, But it's grown in the time from like the conceptualization to now.

I think so. I mean, I can't say that I'm, like, the king of the zeitgeist by any means. You know what I mean? I'm not, like... Unfortunately, I'm not incredibly aware of what's happening in the moment at times, but, like, you kind of got a sense that Y2K as a fashion aesthetic was coming back, But it's grown in the time from like the conceptualization to now.

I think so. I mean, I can't say that I'm, like, the king of the zeitgeist by any means. You know what I mean? I'm not, like... Unfortunately, I'm not incredibly aware of what's happening in the moment at times, but, like, you kind of got a sense that Y2K as a fashion aesthetic was coming back, But it's grown in the time from like the conceptualization to now.

And now I feel like now I'm just like lucky that we're getting it out sort of in time because I feel like we're probably at a moment where people will be sick of it after this. You know what I mean? And we could be like a month or two away.

And now I feel like now I'm just like lucky that we're getting it out sort of in time because I feel like we're probably at a moment where people will be sick of it after this. You know what I mean? And we could be like a month or two away.

And now I feel like now I'm just like lucky that we're getting it out sort of in time because I feel like we're probably at a moment where people will be sick of it after this. You know what I mean? And we could be like a month or two away.

You know, Y2K was something that we were overprepared for. And like we said, nothing happened. And that's also not to say... I mean, I feel like every time I say that or anyone says that, there were people doing stuff. You know, there were people... working on these computers and, like, making sure that we were ready.

You know, Y2K was something that we were overprepared for. And like we said, nothing happened. And that's also not to say... I mean, I feel like every time I say that or anyone says that, there were people doing stuff. You know, there were people... working on these computers and, like, making sure that we were ready.