Lindsay Zoladz

It is awesome, but you're not going to get, you know, the album familiar arrangement of Flowing in the Wind.

Well, yeah, I think that goes back to Joe's point about, you know, the estate thanks you.

I'm going to need you to share that.

That also gets to the point that there's something generation bridging about these two.

It's a way, you know, at its best for parents to share their music with their kids and, you know, show that like once I and this person whose music I admire were young too.

And, you know, there was something a little youthful and rebellious about that.

You know, this person that you think of as just this old established figure now.

And I think it helps that.

Like, I've definitely watched some of these movies with my parents.

And I'm sure that's a common experience or people showing them to their children and stuff.

And then sharing that music in a way that feels like a bonding experience.

Yeah.

Sure.

So, mission accomplished.

And I think that's an interesting casting one because it's, you know, with the casting of these films, it's the tension between do we get the person that looks...

uncannily like the person they're playing?

Or do we take some liberties but, you know, find the person that can most project the aura?

And I think that was something that worked for me about Austin Butler playing Elvis.

He doesn't look anything like Elvis.

And you're not...