Lisa

Well, and a place. Yeah. Which I think is going back to John 2 when they were talking about the temple.

Well, and a place. Yeah. Which I think is going back to John 2 when they were talking about the temple.

Well, and a place. Yeah. Which I think is going back to John 2 when they were talking about the temple.

And he was like, it's a person. You kill this, and I'll raise it up in three days. So I think that's why it's in here.

And he was like, it's a person. You kill this, and I'll raise it up in three days. So I think that's why it's in here.

And he was like, it's a person. You kill this, and I'll raise it up in three days. So I think that's why it's in here.

He just says, I am. I was going to say, this is another I am. It's an I. He just says, I am. Yeah.

He just says, I am. I was going to say, this is another I am. It's an I. He just says, I am. Yeah.

He just says, I am. I was going to say, this is another I am. It's an I. He just says, I am. Yeah.

And going back to, you know. He didn't quite say it like that, but that is the implication.

And going back to, you know. He didn't quite say it like that, but that is the implication.

And going back to, you know. He didn't quite say it like that, but that is the implication.

But I think that's where the love of darkness comes in because then all of a sudden, it's like what did the Morgan Freeman in the Shawshank Redemption, he was like telling – I don't remember this off the top of my head, but Mary was telling about the prison where first you're scared and you try to get out of it, you know, but it's like- See, then these walls start to become your security.

But I think that's where the love of darkness comes in because then all of a sudden, it's like what did the Morgan Freeman in the Shawshank Redemption, he was like telling – I don't remember this off the top of my head, but Mary was telling about the prison where first you're scared and you try to get out of it, you know, but it's like- See, then these walls start to become your security.

But I think that's where the love of darkness comes in because then all of a sudden, it's like what did the Morgan Freeman in the Shawshank Redemption, he was like telling – I don't remember this off the top of my head, but Mary was telling about the prison where first you're scared and you try to get out of it, you know, but it's like- See, then these walls start to become your security.

Yeah, he's like, then you depend on them. You depend on those walls, that's right. It's like you actually love them. That's right. At some point. That's right. And that's the disturbing part of our condition.

Yeah, he's like, then you depend on them. You depend on those walls, that's right. It's like you actually love them. That's right. At some point. That's right. And that's the disturbing part of our condition.

Yeah, he's like, then you depend on them. You depend on those walls, that's right. It's like you actually love them. That's right. At some point. That's right. And that's the disturbing part of our condition.

And granted, it's temptation from the spiritual forces we talk about, but we convince ourselves, you know, oh, I'm smarter. I can figure this out. And you kind of love that process, you know. And he has that time.

And granted, it's temptation from the spiritual forces we talk about, but we convince ourselves, you know, oh, I'm smarter. I can figure this out. And you kind of love that process, you know. And he has that time.