Louis Theroux

It sounded like it was a difficult experience.

He said, I survived that, meaning showgirls, which is how I look at it.

Somehow, definitely my career took a hit.

If I was a serious podcaster, I would have actually re-watched Showgirls.

I only remember one thing from it.

It's a Joe Estahar script and there's a bit in it where one of them, maybe Kyle, is assessing Elizabeth Berkley's prospects.

Something like her stagecraft is all over the place and her legs have no discipline and frankly, her movement is terrible.

But she's got it.

It's that kind of reversal thing where you see what they did there.

It's like my podcasting.

He's rambling and he can't remember his questions and he does terrible impressions.

But he's got it.

That's it for today.

Please do join me next week for another episode.

For now, here are the credits.

The producer was Millie Chu.

The researcher was Mark Morn.

The production manager was Francesca Bassett.

The music in this series was by Miguel de Oliveira.

The executive producer was Aaron Fellows.