Louis Theroux

And I guess the main thing is I'm glad we could put that to bed.

And what a charming guy, like you can, he still has whatever that energy is.

And you know, look, if I could make it about the work, that's what Kyle brings, is this sort of sense of almost supernatural suave-tay.

And you know, in the sense of like, it sort of transcends, it's almost surreal quality.

And I didn't express it very well in the chat, but there's a sense in which there's a metaness to some of his acting.

Like he seems to be commenting on the acting process,

And he mentioned that it was a Pauline Kael review in the New Yorker that turned around the fortunes of Blue Velvet, her review.

And I dug out the review and she sings his praises.

Blue Velvet is a comedy, she wrote, yet it puts us, or at least some of us, in an erotic trance.

The movie keeps ribbing the clean-cut Geoffrey, Carl MacLachlan, yet we're caught up in his imagination.

It was nice to be able to bring out, it's not even an impression, but my attempt to do Frank as played by Dennis Hopper.

Kyle started doing the photographer from Apocalypse Now.

He's a... I'm a little man.

I'm a little... He's a great man.

It's worth finding.

We'll link to that on YouTube.

You know, the central... If is the central two letters of life, man.

I think any time, you know, in Frank he's doing...

He's like, I don't want to.

Shut up.