Lucas Zelnick

Like, if I kill, if it's a really great set, I obviously have fun.

I feel good about it.

I'm happy.

But I'm like, yeah, I delivered what these people paid to come see.

If I bomb, I have like a crisis of identity because I'm like, you know, I'm trying to think of like, I guess, you know, with all entertainment, you're always taking the risk that you could go see it and it's going to be bad.

You know, you buy a movie ticket.

Maybe it's bad.

But there's something that feels so profoundly like.

I cheated these people.

If I really bomb, I'm just like, damn, because sometimes they pay a lot of money or they drive a long way.

You know what I mean?

And so to just like totally bomb, it's like it doesn't feel anywhere near like it feels so much more bad than a kill.

In Philly, like two weeks ago, there was actually someone that was really disruptive and they weren't.

They were just kept heckling my set and I wasn't getting much help from the club staff taking care of them.

They also weren't being funny.

Also, they were the worst kind of heckler is someone that says it quietly.

So like you can hear it.

It's like disrupting your flow from the front row, but not everyone in the room can hear it.

So you don't know exactly how to address it.

And then you're just getting like annoyed.