Luigi Vendittelli

Something's not happening here.

So we would turn off those lights, bring in other lights.

Okay, we could see everything.

Okay, well, that's weird.

We would...

What we did, and this actually, we did this for a while.

I never explained this.

I can explain it because you can appreciate it.

We took out the halogen and we put other lights in there.

Like you could put box lights.

So we took four little box lights, placed them there, pointed them up, blasted them.

Even those weren't powerful enough.

And I'm like, what the hell is up with this thing?

But if you take the lights, go in a different angle and blast them, well, it'll light the scene.

So there are shots in our film where we did obviously create cinematic lighting shots.

You don't know it.

We know it, but it wasn't the natural light.

But you cannot see properly in that craft if you only have the eight halogen lights pointed up, which is exactly what Bob Lazar said.

It was very dark in there.

And if we think of that, and we're going to think of, here's a man who's going to try to, let's say, let's assume he's lying.