Luke Caverns
๐ค SpeakerAppearances Over Time
Podcast Appearances
And they only find the two previous Pharaohs, which are Khufu and Khafra. Mankara doesn't appear on there anymore. And so it shows that the city was destroyed during the creation of that valley temple. And it's, you know, I learned that in some obscure textbook that, you know, I would have never guessed 10 years ago that I would read. I picked it up in Luxor while I was in Egypt.
And they only find the two previous Pharaohs, which are Khufu and Khafra. Mankara doesn't appear on there anymore. And so it shows that the city was destroyed during the creation of that valley temple. And it's, you know, I learned that in some obscure textbook that, you know, I would have never guessed 10 years ago that I would read. I picked it up in Luxor while I was in Egypt.
And they only find the two previous Pharaohs, which are Khufu and Khafra. Mankara doesn't appear on there anymore. And so it shows that the city was destroyed during the creation of that valley temple. And it's, you know, I learned that in some obscure textbook that, you know, I would have never guessed 10 years ago that I would read. I picked it up in Luxor while I was in Egypt.
And, you know, become more exposed to information like that. And slowly my view on things starts to change. But at the core of where I started in this journey was reading Graham Hancock. And so that sense of wonder has never left me. Although my perception of archaeology has become much more dialed in as time has gone on. But I still keep that wonder of,
And, you know, become more exposed to information like that. And slowly my view on things starts to change. But at the core of where I started in this journey was reading Graham Hancock. And so that sense of wonder has never left me. Although my perception of archaeology has become much more dialed in as time has gone on. But I still keep that wonder of,
And, you know, become more exposed to information like that. And slowly my view on things starts to change. But at the core of where I started in this journey was reading Graham Hancock. And so that sense of wonder has never left me. Although my perception of archaeology has become much more dialed in as time has gone on. But I still keep that wonder of,
uh, and, and excitement about things that we don't understand, like how these vases could have been made, how they, you know, I, I got to see the unfinished obelisk in Aswan in Egypt, you know, 1200 tons made out of solid red Aswan granite. Um, And it's just, I mean, that's one of the most amazing things I've ever seen.
uh, and, and excitement about things that we don't understand, like how these vases could have been made, how they, you know, I, I got to see the unfinished obelisk in Aswan in Egypt, you know, 1200 tons made out of solid red Aswan granite. Um, And it's just, I mean, that's one of the most amazing things I've ever seen.
uh, and, and excitement about things that we don't understand, like how these vases could have been made, how they, you know, I, I got to see the unfinished obelisk in Aswan in Egypt, you know, 1200 tons made out of solid red Aswan granite. Um, And it's just, I mean, that's one of the most amazing things I've ever seen.
And, you know, the peculiar thing is, you know, they have to free out the bottom of that whole obelisk. And then what you don't see in a lot of photos is right behind it to get to the Nile, they have to clear out the whole granite outcropping that is, you know, just the same size, much bigger actually than the obelisk. They have to clear all that out.
And, you know, the peculiar thing is, you know, they have to free out the bottom of that whole obelisk. And then what you don't see in a lot of photos is right behind it to get to the Nile, they have to clear out the whole granite outcropping that is, you know, just the same size, much bigger actually than the obelisk. They have to clear all that out.
And, you know, the peculiar thing is, you know, they have to free out the bottom of that whole obelisk. And then what you don't see in a lot of photos is right behind it to get to the Nile, they have to clear out the whole granite outcropping that is, you know, just the same size, much bigger actually than the obelisk. They have to clear all that out.
And clear out this causeway and pull that obelisk down into the river where they're going to load it onto a barge and take it 500 or 300 miles where it's going to go. These things, a lot of these things are still unexplainable. But for me, as time has gone on. the magic was really instilled in me from reading things like Graham Hancock.
And clear out this causeway and pull that obelisk down into the river where they're going to load it onto a barge and take it 500 or 300 miles where it's going to go. These things, a lot of these things are still unexplainable. But for me, as time has gone on. the magic was really instilled in me from reading things like Graham Hancock.
And clear out this causeway and pull that obelisk down into the river where they're going to load it onto a barge and take it 500 or 300 miles where it's going to go. These things, a lot of these things are still unexplainable. But for me, as time has gone on. the magic was really instilled in me from reading things like Graham Hancock.
But over time, like I was saying, my views have become more dialed in. And for me, it's not really a question of timeline now, more so a question of technique or if we want to call it ancient technology.
But over time, like I was saying, my views have become more dialed in. And for me, it's not really a question of timeline now, more so a question of technique or if we want to call it ancient technology.
But over time, like I was saying, my views have become more dialed in. And for me, it's not really a question of timeline now, more so a question of technique or if we want to call it ancient technology.
And so that's why I think that Graham Hancock, give credit where credit's due because none of anything that I'm doing now, maybe I wouldn't be doing any of it had I not read Fingerprints of the Gods.
And so that's why I think that Graham Hancock, give credit where credit's due because none of anything that I'm doing now, maybe I wouldn't be doing any of it had I not read Fingerprints of the Gods.