Maggie Rogers

I mean, I think that that's the thing that's sort of wild and funny about it is like when I suddenly overnight became a pop star, like I needed a lot of clothes and all of the clothes I had were for like, I lived in the studio. Like I was a studio rat and suddenly I needed like colorful glittery outfits. And I was like, what do you mean? I can't wear like my jeans and boots.

was walking through icy streams that took my breath away moving slowly through westward water over glacial plains and i walked off you Oh my, I thought it was a dream. So it seemed.

was walking through icy streams that took my breath away moving slowly through westward water over glacial plains and i walked off you Oh my, I thought it was a dream. So it seemed.

was walking through icy streams that took my breath away moving slowly through westward water over glacial plains and i walked off you Oh my, I thought it was a dream. So it seemed.

And now breathe deep, I'm inhaling. You and others stare in between. Leave me be.

And now breathe deep, I'm inhaling. You and others stare in between. Leave me be.

And now breathe deep, I'm inhaling. You and others stare in between. Leave me be.

Yeah, I mean, well, I think that the coldness that you're talking about in that song comes from the synthesizers and how smooth they are.

Yeah, I mean, well, I think that the coldness that you're talking about in that song comes from the synthesizers and how smooth they are.

Yeah, I mean, well, I think that the coldness that you're talking about in that song comes from the synthesizers and how smooth they are.

Exactly. There is space to it. But even in those background vocals that sort of come to help transition from the pre-chorus to the chorus... There is a sort of, it's a plate reverb. You know, there's a lot of different kinds of reverb, but a plate reverb is quite metallic in the way that it's designed.

Exactly. There is space to it. But even in those background vocals that sort of come to help transition from the pre-chorus to the chorus... There is a sort of, it's a plate reverb. You know, there's a lot of different kinds of reverb, but a plate reverb is quite metallic in the way that it's designed.

Exactly. There is space to it. But even in those background vocals that sort of come to help transition from the pre-chorus to the chorus... There is a sort of, it's a plate reverb. You know, there's a lot of different kinds of reverb, but a plate reverb is quite metallic in the way that it's designed.

And I think that some of that smoothness of the synth and the way that the sonic palette of that song is designed does sort of represent the landscape I was talking about. And that to me is like... It's something I'm always trying to do, you know, make the music try and echo or tell the story of the emotion that it's soundtracking.

And I think that some of that smoothness of the synth and the way that the sonic palette of that song is designed does sort of represent the landscape I was talking about. And that to me is like... It's something I'm always trying to do, you know, make the music try and echo or tell the story of the emotion that it's soundtracking.

And I think that some of that smoothness of the synth and the way that the sonic palette of that song is designed does sort of represent the landscape I was talking about. And that to me is like... It's something I'm always trying to do, you know, make the music try and echo or tell the story of the emotion that it's soundtracking.

And that comes from, you know, I grew up really loving classical music and playing the harp in orchestras. And I remember my mom... really early telling me to listen to orchestral music because they were telling a story without words. And I was just so, so taken with that idea. As far as these color mood boards go, I think it goes back to how fast everything was because...

And that comes from, you know, I grew up really loving classical music and playing the harp in orchestras. And I remember my mom... really early telling me to listen to orchestral music because they were telling a story without words. And I was just so, so taken with that idea. As far as these color mood boards go, I think it goes back to how fast everything was because...

And that comes from, you know, I grew up really loving classical music and playing the harp in orchestras. And I remember my mom... really early telling me to listen to orchestral music because they were telling a story without words. And I was just so, so taken with that idea. As far as these color mood boards go, I think it goes back to how fast everything was because...

I've always had a very strong connection to color and sound. But also as I got sort of like thrown into the like big dogs of the music industry and was suddenly working with all of these different collaborators after really just working alone for a really long time.