Mallory Rubin

It's like, we're, I think the first season's 28 episodes, so, like, we've barely, you know, barely begun our journey, but just the first 10, especially because where we are through right now is these demon confrontations, the multi-arc stretch episodes.

That is, like, really intense in terms of thinking about, like, morality and what you get to decide about, like, what is good or evil or right.

It's getting quite intense and deep.

Yeah, like, you said existential.

There is something deeply philosophical and existential about it.

It's quite poignant and moving.

It's, like, very smart and deft.

I have found it, like, very entertaining and compelling, but also deeply moving.

I mean, the logline of, like, Limberg, Ben Limberg, our colleague Ben Limberg, was the first person who pitched it to me, actually.

And he pitched it as, like, much like I think many of the bad babies have.

It's basically like Lord of the Rings ends and then, right?

Which was obviously- Well, it's like George R.R.

In their little cradles.

Exactly.

And to use the familiar archetypes that if you are a fan of Lord of the Rings, you're going to like, okay, so we have our... That's all really great and really fun.

But when Lindbergh pitched it to me and he was describing it about grief, I was like...

I don't know if this is the right time.

And then when you, when you pitched it to me, when I saw you and Halo had just died, you were like, I think that's why you would love it.

Because, sorry.

It's like, I think like, it is very much about like,