Marianne Faithfull

Well, the one I'm really worried about is face-to-face promo. Because in that, I wasn't using nicotine just as a drug. I was using it as a prop and as a smoke screen. That's going to be pretty scary. I've got to think of something else to do with my hands. And I've got to give myself a smoke screen. Joss sticks? I don't know. A candle? I've got to think of something. Dark glasses? No.

Well, the one I'm really worried about is face-to-face promo. Because in that, I wasn't using nicotine just as a drug. I was using it as a prop and as a smoke screen. That's going to be pretty scary. I've got to think of something else to do with my hands. And I've got to give myself a smoke screen. Joss sticks? I don't know. A candle? I've got to think of something. Dark glasses? No.

Well, the one I'm really worried about is face-to-face promo. Because in that, I wasn't using nicotine just as a drug. I was using it as a prop and as a smoke screen. That's going to be pretty scary. I've got to think of something else to do with my hands. And I've got to give myself a smoke screen. Joss sticks? I don't know. A candle? I've got to think of something. Dark glasses? No.

I think people should see my eyes. But that's not a bad idea. Dark glasses is a possibility. But, you know, I think that's been kind of covered by Yoko. God bless her.

I think people should see my eyes. But that's not a bad idea. Dark glasses is a possibility. But, you know, I think that's been kind of covered by Yoko. God bless her.

I think people should see my eyes. But that's not a bad idea. Dark glasses is a possibility. But, you know, I think that's been kind of covered by Yoko. God bless her.

Marianne Faithfull, thank you so much for talking with us. Thanks, Terry. It was a pleasure.

Marianne Faithfull, thank you so much for talking with us. Thanks, Terry. It was a pleasure.

Marianne Faithfull, thank you so much for talking with us. Thanks, Terry. It was a pleasure.

I walk along the street of sorrow The boulevard of broken dreams where gigolo and gigolette can take a kiss without regret so they forget their broken dream you laugh tonight and cry tomorrow when you behold your shadow scheme And gigolo and gigolette wake up to find their eyes are wet with tears that tell of broken dreams. Here is where you'll always find me, always walking up and down.

I walk along the street of sorrow The boulevard of broken dreams where gigolo and gigolette can take a kiss without regret so they forget their broken dream you laugh tonight and cry tomorrow when you behold your shadow scheme And gigolo and gigolette wake up to find their eyes are wet with tears that tell of broken dreams. Here is where you'll always find me, always walking up and down.

I walk along the street of sorrow The boulevard of broken dreams where gigolo and gigolette can take a kiss without regret so they forget their broken dream you laugh tonight and cry tomorrow when you behold your shadow scheme And gigolo and gigolette wake up to find their eyes are wet with tears that tell of broken dreams. Here is where you'll always find me, always walking up and down.

Da-da-da-da-da-da-da.

Da-da-da-da-da-da-da.

Da-da-da-da-da-da-da.

I went to a party, the Rolling Stones were there, and I was looking very shabby. And they came up and said to the person I was with, and can she sing? And they had a conversation over my head, and then they arranged where I was to be, and I went there.

I went to a party, the Rolling Stones were there, and I was looking very shabby. And they came up and said to the person I was with, and can she sing? And they had a conversation over my head, and then they arranged where I was to be, and I went there.