Marissa Reed

Yeah. We get in collaborative or creative fights, but We, for the most part, share a brain and it's like, like Selena said, we come back to it the next day, we know we were fighting over it, but we don't even necessarily remember who was fighting for what side. So it's like, we don't let creative fights get us in real fights for the most part.

Yeah. We get in collaborative or creative fights, but We, for the most part, share a brain and it's like, like Selena said, we come back to it the next day, we know we were fighting over it, but we don't even necessarily remember who was fighting for what side. So it's like, we don't let creative fights get us in real fights for the most part.

Yeah. We get in collaborative or creative fights, but We, for the most part, share a brain and it's like, like Selena said, we come back to it the next day, we know we were fighting over it, but we don't even necessarily remember who was fighting for what side. So it's like, we don't let creative fights get us in real fights for the most part.

I don't think we've gotten in very many actual fights that stemmed from a creative debate.

I don't think we've gotten in very many actual fights that stemmed from a creative debate.

I don't think we've gotten in very many actual fights that stemmed from a creative debate.

Every script will have a table read. We see so much value in table reads. Because we read the scripts out loud, just the two of us, but we wrote it. So if someone else is reading even just the stage direction and they're fumbling on it, it's apparent that it's probably not written in the most organic or natural way of saying something. You can tell jokes aren't hitting.

Every script will have a table read. We see so much value in table reads. Because we read the scripts out loud, just the two of us, but we wrote it. So if someone else is reading even just the stage direction and they're fumbling on it, it's apparent that it's probably not written in the most organic or natural way of saying something. You can tell jokes aren't hitting.

Every script will have a table read. We see so much value in table reads. Because we read the scripts out loud, just the two of us, but we wrote it. So if someone else is reading even just the stage direction and they're fumbling on it, it's apparent that it's probably not written in the most organic or natural way of saying something. You can tell jokes aren't hitting.

Yeah, yeah, yeah. Wow, drag a shot.

Yeah, yeah, yeah. Wow, drag a shot.

Yeah, yeah, yeah. Wow, drag a shot.

It's something that we're still learning to do and getting the courage to do. I think a lot of people feel scared that if they create something, it has to be perfect. Or even good. Yeah, it has to be good. We're starting to really see the value in the process and enjoying the process and enjoying the journey.

It's something that we're still learning to do and getting the courage to do. I think a lot of people feel scared that if they create something, it has to be perfect. Or even good. Yeah, it has to be good. We're starting to really see the value in the process and enjoying the process and enjoying the journey.

It's something that we're still learning to do and getting the courage to do. I think a lot of people feel scared that if they create something, it has to be perfect. Or even good. Yeah, it has to be good. We're starting to really see the value in the process and enjoying the process and enjoying the journey.

every single time you create something, you know, you're just striving to be better and to learn something and to enjoy the people that you're working with and surround yourself with a crew that, you know, you hope to work with again and again. So we see so much value in that. But it is hard. Like, I think honestly, We sold foursome when we were 25 years old.

every single time you create something, you know, you're just striving to be better and to learn something and to enjoy the people that you're working with and surround yourself with a crew that, you know, you hope to work with again and again. So we see so much value in that. But it is hard. Like, I think honestly, We sold foursome when we were 25 years old.

every single time you create something, you know, you're just striving to be better and to learn something and to enjoy the people that you're working with and surround yourself with a crew that, you know, you hope to work with again and again. So we see so much value in that. But it is hard. Like, I think honestly, We sold foursome when we were 25 years old.

It was the first professional writing job we had. And like Selena said, you know, it was more of a typical studio job where our budgets, while they were small for a half hour show, they were still in the millions. And so going from that to scaling it back and being like, okay, what's a five page short that we can budget under $5,000 and film it ourselves?

It was the first professional writing job we had. And like Selena said, you know, it was more of a typical studio job where our budgets, while they were small for a half hour show, they were still in the millions. And so going from that to scaling it back and being like, okay, what's a five page short that we can budget under $5,000 and film it ourselves?