Mark Kerr

You know, like every day, same routine, get up, do the same routine, do this.

I was up there for fight week, got all of his stunt guys all like, this is, this is foundationally.

Cause I'm not going to teach him wrestling 25 years of wrestling in fucking a month.

Right.

Or two weeks or a week or an hour.

It's like, okay, but let's get foundational pieces.

Right.

Cause the people are going to watch it.

They can look at the film and tell whether you put the work in or not.

right especially someone like you oh god yeah it was one where where that was the biggest deal uh for benny is to be able to shoot these scenes without a stunt double going how because because it just detracts from what he's trying to do as a filmmaker right how do you shoot this whole entire well well i'm going to give dj foundational pieces of like changing your level for a double here's where you get and like certain foundational pieces you have to have and then like i told them

Once you get to a certain point, everything from that point on is your own.

It's like when you watch wrestlers going, oh, he changes his level.

And then all these little nuances, that's individual.

That's individualized.

Like Michael Jordan, it's like the structure for a jump shot is the same, right?

But all these little nuances of like how to get to the position to hit a jump shot, that's Michael Jordan.

Right.

So I go like a like when I shoot a double leg like lowering your level that's foundational fundamental, right?

It's like attacking without my arms out in tight.

That's fundamental But once I hit the person with with the attack right double leg everything from that point going on is my own Whether I tip him this way till them this way run them for running backwards sit down change it It's all these little new I go we need to do foundational and then you're good.