Mark Ronson

Like, of course, why not?

But at that moment, there was nothing like it, but it did help me find my own sound and identity, and that's kind of when I really started to, I guess, get, like, crazy gigs and offers because I was doing something that nobody else was doing.

Yeah, you can't do it too much because then it sort of loses the excitement, right?

It loses the surprise factor.

It's like if you're a stand-up comedian and you're going to do the same joke twice to the same crowd, it's going to lose its impact for sure.

So you kind of do it in different clubs or you kept finding new ways to drop it or surprise it.

You know, I'd be spending my whole days practicing my mixes and the things that I wanted to do in the club that night.

Yeah.

I mean, sometimes you're making the decision before, like just once you walk into a room and you kind of scan it, you're like, oh, I know what this crowd is going to be like.

Or, you know, DJs and stand-ups, we both completely – our talent and skills are useless without a crowd.

We can only do what we do in front of people.

We work nights.

You know, all my comedian friends are quite –

insular and obsessed with their craft and only hung out mainly with other comedians.

It was like the DJ community was totally the same.

Comics have timing.

DJs have rhythm.

We work clubs.

We call it killing when we do good.

It's actually funny how many similarities there really were.