Martin Johnson

Bassist Henry Grimes, who was better known for his work with Free Jazz Stallwords, and drummer Jack Dijonet. And it's the drummer who's responsible for the recording's existence. He had an engineer tape the event, and it was in his home archive. He rediscovered it a few years ago and set plans in motion for the release. Dijonet is only 23 years old here.

and still very much in the throes of contemporary greats like Coltrane drummer Elvin Jones, but you can hear a distinctive voice emerging on these tracks. He would go on to play with Miles Davis, Keith Jarrett, and build a formidable discography as a leader. Here's The Believer. The music here is a prelude to iconic records by each leader.

and still very much in the throes of contemporary greats like Coltrane drummer Elvin Jones, but you can hear a distinctive voice emerging on these tracks. He would go on to play with Miles Davis, Keith Jarrett, and build a formidable discography as a leader. Here's The Believer. The music here is a prelude to iconic records by each leader.

and still very much in the throes of contemporary greats like Coltrane drummer Elvin Jones, but you can hear a distinctive voice emerging on these tracks. He would go on to play with Miles Davis, Keith Jarrett, and build a formidable discography as a leader. Here's The Believer. The music here is a prelude to iconic records by each leader.

A few months after the concert, Joe Henderson recorded Mode for Joe, one of his most beloved 60s discs. And Tyner recorded his album The Real McCoy, his first for Blue Note and one of his best. After that, the two rarely worked together again, making this document a winding down of a valuable alliance.

A few months after the concert, Joe Henderson recorded Mode for Joe, one of his most beloved 60s discs. And Tyner recorded his album The Real McCoy, his first for Blue Note and one of his best. After that, the two rarely worked together again, making this document a winding down of a valuable alliance.

A few months after the concert, Joe Henderson recorded Mode for Joe, one of his most beloved 60s discs. And Tyner recorded his album The Real McCoy, his first for Blue Note and one of his best. After that, the two rarely worked together again, making this document a winding down of a valuable alliance.