Martin Short

Oh, I know. Oh, I know. And I've talked to people who know, and I won't elaborate on that.

Oh, I know. Oh, I know. And I've talked to people who know, and I won't elaborate on that.

No, no, no, no. It started off, Steve was at a party at Sandy Gallen. Mm-hmm. I don't know, 13 years ago. And sitting on the couch was Ron Rifkin.

No, no, no, no. It started off, Steve was at a party at Sandy Gallen. Mm-hmm. I don't know, 13 years ago. And sitting on the couch was Ron Rifkin.

No, no, no, no. It started off, Steve was at a party at Sandy Gallen. Mm-hmm. I don't know, 13 years ago. And sitting on the couch was Ron Rifkin.

Joel Gray.

Joel Gray.

Joel Gray.

And... Someone else. And Sandy said, those three, you should do a show for them. That's all he said. And Steve's driving home and he's obsessed with true crime and watches it all the time and thought, well, gee, that's an interesting idea. Three older people who solve crimes in a building, but they'll only solve a murder in the building because they don't want to travel.

And... Someone else. And Sandy said, those three, you should do a show for them. That's all he said. And Steve's driving home and he's obsessed with true crime and watches it all the time and thought, well, gee, that's an interesting idea. Three older people who solve crimes in a building, but they'll only solve a murder in the building because they don't want to travel.

And... Someone else. And Sandy said, those three, you should do a show for them. That's all he said. And Steve's driving home and he's obsessed with true crime and watches it all the time and thought, well, gee, that's an interesting idea. Three older people who solve crimes in a building, but they'll only solve a murder in the building because they don't want to travel.

And so he had the title, he had everything, and then he put it on the back shelf for a few years. And then had a meeting with Dan Fogelman. Dan said, any ideas you have? And he said, well, I have this one idea. And it was suddenly into production. How it got to be Selena, I don't actually know. I know that Steve phoned me and said... Would you like to do it? And I thought it sounded great.

And so he had the title, he had everything, and then he put it on the back shelf for a few years. And then had a meeting with Dan Fogelman. Dan said, any ideas you have? And he said, well, I have this one idea. And it was suddenly into production. How it got to be Selena, I don't actually know. I know that Steve phoned me and said... Would you like to do it? And I thought it sounded great.

And so he had the title, he had everything, and then he put it on the back shelf for a few years. And then had a meeting with Dan Fogelman. Dan said, any ideas you have? And he said, well, I have this one idea. And it was suddenly into production. How it got to be Selena, I don't actually know. I know that Steve phoned me and said... Would you like to do it? And I thought it sounded great.

And, you know, it was work.

And, you know, it was work.

And, you know, it was work.

You know, if he had said, do you want to do the Chrysler Industrial, mainly for, we're bringing the duster, we're bringing that car back, I'd say, sure. And you say, you say that there's a check. Is that what you're inferring, Steve? No, anyway, so I was excited to say yes. And then, then brilliantly, they went to Selena.

You know, if he had said, do you want to do the Chrysler Industrial, mainly for, we're bringing the duster, we're bringing that car back, I'd say, sure. And you say, you say that there's a check. Is that what you're inferring, Steve? No, anyway, so I was excited to say yes. And then, then brilliantly, they went to Selena.

You know, if he had said, do you want to do the Chrysler Industrial, mainly for, we're bringing the duster, we're bringing that car back, I'd say, sure. And you say, you say that there's a check. Is that what you're inferring, Steve? No, anyway, so I was excited to say yes. And then, then brilliantly, they went to Selena.