Matt Gourley
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Appearances Over Time
Podcast Appearances
Late Night with Conan O'Brien is usually three. Are we in the real world or in my reality? Because I like my reality. And in my reality, I think Mermaid is perfect.
Late Night with Conan O'Brien is usually three. Are we in the real world or in my reality? Because I like my reality. And in my reality, I think Mermaid is perfect.
I don't know what you find so funny. I'm always like three or four, but I know what you're saying.
I don't know what you find so funny. I'm always like three or four, but I know what you're saying.
I don't know what you find so funny. I'm always like three or four, but I know what you're saying.
I'm interviewing you and you said no one knows how to interview anymore. And I would like you to have a big fuck yourself sandwich. Do we have a fuck yourself sandwich? That's not a good conversation. With a little pastrami on it?
I'm interviewing you and you said no one knows how to interview anymore. And I would like you to have a big fuck yourself sandwich. Do we have a fuck yourself sandwich? That's not a good conversation. With a little pastrami on it?
I'm interviewing you and you said no one knows how to interview anymore. And I would like you to have a big fuck yourself sandwich. Do we have a fuck yourself sandwich? That's not a good conversation. With a little pastrami on it?
Me make good talk. Me make good talk, not bad talk.
Me make good talk. Me make good talk, not bad talk.
Me make good talk. Me make good talk, not bad talk.
Well, there's a lot of things I could say about it, but I do think that the architecture of a late night show for a long time was kill time. Meaning when the form comes along, because in the late 40s, early fifties, someone at NBC realizes we just go off the air at 11 o'clock at night. Why do we do that? Yeah. It's like a family that discovers we've got an attic.
Well, there's a lot of things I could say about it, but I do think that the architecture of a late night show for a long time was kill time. Meaning when the form comes along, because in the late 40s, early fifties, someone at NBC realizes we just go off the air at 11 o'clock at night. Why do we do that? Yeah. It's like a family that discovers we've got an attic.
Well, there's a lot of things I could say about it, but I do think that the architecture of a late night show for a long time was kill time. Meaning when the form comes along, because in the late 40s, early fifties, someone at NBC realizes we just go off the air at 11 o'clock at night. Why do we do that? Yeah. It's like a family that discovers we've got an attic.
Why don't we go up there, finish the attic and suddenly we've got three more bedrooms. So the early late night shows, are people killing time. And that's what they are for a long time is killing time. And a lot of good conversation comes out of- Comes out of killing time. Comes out of killing time. What happens is there's a lot of money in it.
Why don't we go up there, finish the attic and suddenly we've got three more bedrooms. So the early late night shows, are people killing time. And that's what they are for a long time is killing time. And a lot of good conversation comes out of- Comes out of killing time. Comes out of killing time. What happens is there's a lot of money in it.
Why don't we go up there, finish the attic and suddenly we've got three more bedrooms. So the early late night shows, are people killing time. And that's what they are for a long time is killing time. And a lot of good conversation comes out of- Comes out of killing time. Comes out of killing time. What happens is there's a lot of money in it.