Matt

And we were all like laughing because there's like an awareness and there is like, this is before you were calling what you do drag, but there was such a huge drag element. You had a drag performer open up. Yeah. But yet you have this like haunting, gorgeous, like ethereal voice that I was like, I don't think we have this out there. So that's what I meant by like the Kesha meets Annie.

And we were all like laughing because there's like an awareness and there is like, this is before you were calling what you do drag, but there was such a huge drag element. You had a drag performer open up. Yeah. But yet you have this like haunting, gorgeous, like ethereal voice that I was like, I don't think we have this out there. So that's what I meant by like the Kesha meets Annie.

But that's uncasual on a song like that. It's funny to hear you say you're, like, more comfortable doing the beat-heavy stuff because what really, like, took me—and maybe this is just the place I was in, but was coffee, was kaleidoscope, was, like, those moments that are so, like, important and deep in your show.

But that's uncasual on a song like that. It's funny to hear you say you're, like, more comfortable doing the beat-heavy stuff because what really, like, took me—and maybe this is just the place I was in, but was coffee, was kaleidoscope, was, like, those moments that are so, like, important and deep in your show.

Well, it's like, it is just like, it's almost like a different singer. You know what I mean? Because I guess it's like when you're needing to do the pop thing, do you find yourself being like, okay, now I'm a different pop girl?

Well, it's like, it is just like, it's almost like a different singer. You know what I mean? Because I guess it's like when you're needing to do the pop thing, do you find yourself being like, okay, now I'm a different pop girl?

Right. That was an important song for me at the time. I was like, oh, wow, this is...

Right. That was an important song for me at the time. I was like, oh, wow, this is...

Your feelings were real, but it doesn't count.

Your feelings were real, but it doesn't count.

Okay. That's healthy.

Okay. That's healthy.

It's not their fault. You almost feel bad. It's almost like punching down and then all of a sudden they get the distinction of like having a song. And that's also hard. It's like, well, fuck. You elicited such a response from me that I felt moved to write this thing.

It's not their fault. You almost feel bad. It's almost like punching down and then all of a sudden they get the distinction of like having a song. And that's also hard. It's like, well, fuck. You elicited such a response from me that I felt moved to write this thing.

But that's good.

But that's good.

Have you actually ended it?

Have you actually ended it?

Yeah. You know, what's funny is it's like with Good Luck Babe, it's so hard to sing. And like, you do see a lot of people taking cracks at it, but you have one of those songs now where it's like, that's a Chapel Roan song. Do you feel like that?

Yeah. You know, what's funny is it's like with Good Luck Babe, it's so hard to sing. And like, you do see a lot of people taking cracks at it, but you have one of those songs now where it's like, that's a Chapel Roan song. Do you feel like that?