Matthew McConaughey

It's like... We talk about improv a lot. Y'all know improv, but I mean movies. And comedians do this sometimes. Some comedians are very good actors. Some... are better performers at a skit and not necessarily a great actor.

It's like... We talk about improv a lot. Y'all know improv, but I mean movies. And comedians do this sometimes. Some comedians are very good actors. Some... are better performers at a skit and not necessarily a great actor.

There are some scenes, and I won't point them out, but there are some scenes in the movie that we've all laughed at very hard, but I look at it and go, that's a great SNL skit, but that had nothing to do with the relationship and the circumstance in that movie. Right. So riffing and improv is not an amendment.

There are some scenes, and I won't point them out, but there are some scenes in the movie that we've all laughed at very hard, but I look at it and go, that's a great SNL skit, but that had nothing to do with the relationship and the circumstance in that movie. Right. So riffing and improv is not an amendment.

There are some scenes, and I won't point them out, but there are some scenes in the movie that we've all laughed at very hard, but I look at it and go, that's a great SNL skit, but that had nothing to do with the relationship and the circumstance in that movie. Right. So riffing and improv is not an amendment.

It's not a one-off of, I've got to find a spot to get this joke in, and if I get a gap, I'm going to throw it.

It's not a one-off of, I've got to find a spot to get this joke in, and if I get a gap, I'm going to throw it.

It's not a one-off of, I've got to find a spot to get this joke in, and if I get a gap, I'm going to throw it.

If it has no context. Yeah, it doesn't. Then it's like, okay, that's a skit. Improv comes from the... Good improv, I think, comes from the written word, from what was the base of who the character is, what's the circumstance, what's the relationship. And then if you can riff on that, then you're like, I don't know. You call it improv? I don't know. It's coming from... You're just expanding.

If it has no context. Yeah, it doesn't. Then it's like, okay, that's a skit. Improv comes from the... Good improv, I think, comes from the written word, from what was the base of who the character is, what's the circumstance, what's the relationship. And then if you can riff on that, then you're like, I don't know. You call it improv? I don't know. It's coming from... You're just expanding.

If it has no context. Yeah, it doesn't. Then it's like, okay, that's a skit. Improv comes from the... Good improv, I think, comes from the written word, from what was the base of who the character is, what's the circumstance, what's the relationship. And then if you can riff on that, then you're like, I don't know. You call it improv? I don't know. It's coming from... You're just expanding.

I get a launch pad line like that. I'm going... I come back, work for three weeks. Linklater throws me in scenes. I'm going like, everything's based off the guy who believes that I've got life figured out because that's what I love. But high school girls, I get older, they stay the same age. You know what car that guy drives.

I get a launch pad line like that. I'm going... I come back, work for three weeks. Linklater throws me in scenes. I'm going like, everything's based off the guy who believes that I've got life figured out because that's what I love. But high school girls, I get older, they stay the same age. You know what car that guy drives.

I get a launch pad line like that. I'm going... I come back, work for three weeks. Linklater throws me in scenes. I'm going like, everything's based off the guy who believes that I've got life figured out because that's what I love. But high school girls, I get older, they stay the same age. You know what car that guy drives.

You know what time he's, you know if he's married, if he's got kids, if he doesn't, what music he listens to, what he's buying, if he's got a dollar in his pocket, goes in 7-Eleven. Yep. You know what this guy's got, right? You know what's in his car. You know what's in his console. Yep. By that line.

You know what time he's, you know if he's married, if he's got kids, if he doesn't, what music he listens to, what he's buying, if he's got a dollar in his pocket, goes in 7-Eleven. Yep. You know what this guy's got, right? You know what's in his car. You know what's in his console. Yep. By that line.

You know what time he's, you know if he's married, if he's got kids, if he doesn't, what music he listens to, what he's buying, if he's got a dollar in his pocket, goes in 7-Eleven. Yep. You know what this guy's got, right? You know what's in his car. You know what's in his console. Yep. By that line.

You got to earn your moments acting in, in life. You got to earn your moment. Stand up. You got to earn that punchline. Sure. Right. You got to earn that callback. Yeah. Right? If you don't earn it, it lands in like, what are you talking about? Yeah. You got to earn your moments in a performance. I think like in life too. You got to, it's just important to where you're not.

You got to earn your moments acting in, in life. You got to earn your moment. Stand up. You got to earn that punchline. Sure. Right. You got to earn that callback. Yeah. Right? If you don't earn it, it lands in like, what are you talking about? Yeah. You got to earn your moments in a performance. I think like in life too. You got to, it's just important to where you're not.

You got to earn your moments acting in, in life. You got to earn your moment. Stand up. You got to earn that punchline. Sure. Right. You got to earn that callback. Yeah. Right? If you don't earn it, it lands in like, what are you talking about? Yeah. You got to earn your moments in a performance. I think like in life too. You got to, it's just important to where you're not.